非主流MM大胸

Duan Ganyongshan 438万字 842117人读过连载

《非主流MM大胸》

Those who serve in the Grand Secretary of the Imperial Academy shall be seated three seats apart from each other, and may be asked questions. At the end, they shall lean against the wall. If the list of things is not finished, they shall not be asked. In all schools, the spring officials shall offer sacrifices to their ancestors, and the autumn and winter officials shall do the same. All newly established scholars must offer sacrifices to the sages and teachers; and when they do things, they must use money. All offerings must be made in harmony, otherwise it is not necessary for the country. All great music must be played to support the elderly. All those who speak in the suburbs must select the virtuous and gather talents. Some may be promoted by virtue, some by deeds, and some by words. All musical performances are sworn in, waiting for the next talk. If one of the three has achieved it, then he shall be promoted to a higher level, and according to his order, he shall be called a suburban person and kept away. It is the same as Chengjun and taking a title from the upper lord. When a newly established scholar has raised instruments and coins, he shall then offer food without dancing or giving instruments, and then leave. He shall be in the East Sequence, and offer once, without any interjection. Teach the crown prince.

There are four seasons for sacrifice: spring sacrifice is called "礿", summer sacrifice is called "禘", autumn sacrifice is called "常", and winter sacrifice is called "朕". "礿" and "禘" are yang meanings; "常" and "朕" are yin meanings. "禘" is the prosperity of yang, and "常" is the prosperity of yin. Therefore, it is said that nothing is more important than "禘" and "常". In ancient times, during the sacrifice, the officials gave out titles and clothes, which was in accordance with the righteousness of the Yang. During the harvest, the officials gave out fields and towns, and issued autumn policies, which was in accordance with the righteousness of the Yin. Therefore, it is recorded: "On the day of harvest, the public office was given out to show the reward; the moxa was used as ink; before the autumn policies were issued, the people dared not to harvest." Therefore, it is said that the righteousness of the sacrifice and the harvest is great. It is the foundation of governing a country, and it is important not to be ignorant of it. The ruler is clear about the righteousness, and the minister is capable of his duties. If the ruler is not clear about the righteousness, he is not perfect; if he is not capable of his duties, he is not perfect as a minister. Righteousness is the way to help the will, and it is the manifestation of all virtues. Therefore, those whose virtues are strong have strong wills; those whose wills are strong have clear righteousness. Those whose righteousness is clear have respect in their sacrifices. If the sacrifices are respectful, then all the descendants of the family will dare not be disrespectful. Therefore, when a gentleman sacrifices, he must personally attend; if there is a reason, he can send others. Even if he sends others, the ruler does not lose his righteousness, because the ruler understands his righteousness. Those who are of low virtue and low ambition are doubtful about the righteousness and ask for sacrifices. If they are forced to be respectful, they cannot help it. If you offer sacrifices without respect, how can you be the parents of the people? The tripod has an inscription. The inscription is a self-name. The self-name is used to praise the goodness of the ancestors and to make it clear to future generations. Those who are ancestors have both good and bad things. The meaning of the inscription is to praise the good and not the bad. This is the heart of filial sons and grandsons. Only virtuous people can do this. The inscription is to discuss the virtues and goodness of the ancestors, their merits and achievements, and to celebrate and reward their reputations throughout the world and to use them as sacrificial vessels; to make a name for oneself and to worship the ancestors. To praise the ancestors is to honor filial piety. To compare oneself with them is obedience. To show future generations clearly is teaching. The inscription is to name them once and everyone above and below will benefit from it. Therefore, when a gentleman looks at the inscription, he should not only praise what is said, but also praise what is done. Those who do it, who are clear enough to see it, kind enough to give it, and knowledgeable enough to benefit it, can be called virtuous. Virtuous but not boastful, can be called respectful. Therefore, the inscription on the tripod of Kong Kui of Wei reads: On the 19th day of the sixth month, the Duke was in the Great Temple. The Duke said: "Uncle! This is the ancestor Zhuang Shu, who was on the left and right of Cheng Gong. Cheng Gong ordered Zhuang Shu to follow the refuge in Hanyang, and then to the palace in Zong Zhou, and ran without shooting. He told the right Xiang Gong. Xiang Gong ordered Cheng Shu to inherit the ancestors' clothes. This is the father of Wen Shu, who revived the old wishes of the elders, led the celebration of the people, and personally cared for the state of Wei. He was diligent in the public family, working day and night without rest, and the people all said: "Relax!" The Duke said: "Uncle! Let me engrave for you: If you inherit, you will be respected." Kui bowed his head and said: "I praised it to avoid it, and I was diligent in the great destiny of the Ding." This is the inscription on the tripod of Kong Kui of Wei. The ancient gentlemen discussed the virtues of their ancestors and made them clear to future generations. They compared themselves to themselves and valued their country like this. The descendants who guard the ancestral temples and the altars of the land and state, if their ancestors have no merits and praise them, it is a falsehood; if they have good things but do not know them, it is not clear; if they know them but do not pass them on, it is not benevolent. These three are what gentlemen are ashamed of. In the past, Duke Zhou had made great contributions to the world. After Duke Zhou died, King Cheng and King Kang remembered the merits of Duke Zhou and wanted to honor Lu, so they gave him a heavy sacrifice. The outer sacrifice is the suburban altar; the inner sacrifice is the great sacrifice. The great sacrifice, the song "Qingmiao" is sung in the upper part, and the "Xiang" is played in the lower part; the red stems and jade qi are used to dance "Dawu"; the eight-yi dance is used to dance "Daxia"; this is the music of the emperor. Duke Kang of Zhou, therefore, gave it to Lu. The descendants inherited it and it has not been abolished until now, so as to show the virtue of Duke Zhou and honor his country.

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In ancient times, the emperor and the princes must have officials who raised animals. When the season came, they all took a bath and personally worshiped the animals. Sacrificial animals must be taken there, which is the highest respect. The king summoned the cow, took it in and looked at it, selected its hair and divined it. If it was auspicious, then he would raise it. The king wears a leather hat and white silk, and on the first and half moons, the king inspects the animals, so as to devote himself to the work and show his filial piety. In ancient times, the emperor and the princes must have a public mulberry and silkworm room near the river. The palace is built with a height of three feet and a thorn wall to close it from the outside. When the great morning comes, the king wears a leather hat and white silk, and divines the auspiciousness of the three palace ladies and the concubines, and asks them to go to the silkworm room, offer seeds and bathe in the river; and mulberry in the public mulberry, eat the wind. After the year is over, the concubines finish the silkworms and present the cocoons to the king, and then offer the cocoons to the lady. The lady asks, "Is this what I wear for you?" Then she takes the cocoons and gives them a small sacrifice. In ancient times, those who offer cocoons usually use this! On a good day, the lady reels silk, and she spreads it in three basins, and then she asks the three palace ladies and the concubines to reel it; then she makes it red and green, black and yellow, and makes it into a pattern. After the clothes are made, the king should wear them to worship the ancestors, which is the utmost respect. The gentleman said: "Rites and music should never be separated from the body. If you use music to regulate the mind, then the heart of being easy, honest, and understanding will arise naturally. If the heart of being easy, honest, and understanding arises, then you will be happy, happy, peaceful, peaceful, long-lasting, and heavenly, and heavenly, divine. Heaven is trustworthy without words, and divine is majestic without anger. Use music to regulate the mind. Use ritual to regulate the body, then you will be solemn and respectful, and solemn and respectful will be dignified and majestic. If the mind is not harmonious and happy for a moment, then the heart of contempt and deceit will enter; if the appearance is not solemn and respectful for a moment, then the heart of arrogance and laziness will enter. Therefore, music is what moves the inside, and ritual is what moves the outside. Music is extremely harmonious, and ritual is extremely smooth. If the inside is harmonious and the outside is smooth, then the people will look at his face and not argue with him; look at his appearance, and the people will not be arrogant and easy. Therefore, when the brilliance of virtue moves inside, the people will all listen to him; when the reason is expressed outside, the people will all obey him. Therefore, it is said: If the way of ritual and music is achieved, the world will be filled with them, and it will be easy to carry them out. Music is what moves the inner self; ritual is what moves the outer self. Therefore, ritual is about reduction, and music is about abundance. Ritual is reduced and then progresses, and progress is the essence; music is abundant and then returns, and return is the essence. If ritual is reduced but not progressed, it will be lost; if music is abundant but not returned, it will be lost. Therefore, ritual has reward and music has return. If ritual gets its reward, there will be joy; if music gets its return, there will be peace. The reward of ritual and the return of music have the same meaning.

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