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Blooming Spring

House; the coffin of the senior official is covered with a veil, which is placed in the west row, and the veil does not reach the coffin; the coffin of the scholar is exposed, and the upper curtain is covered. Boil, the king has four kinds of eight baskets, the senior official has three kinds of six baskets, and the scholar has two kinds of four baskets, and fish and margarine are added. Decorate the coffin, the king has three pools of dragon curtains, and the appearance is vibrating. Fuhuang, three rows of fire, three rows of Fu. Plain brocade and red, add false Huang. Six purple buttons. Qi, five colors and five shells. Two purple 翣, two purple 翣, two painted 翣, all wearing jade. Fish leaping in the pool. The king has six purple 翣, six purple 贰. The senior official has two painted curtains, and the appearance is not vibrating. Huahuang, three rows of fire, three rows of Fu. Plain brocade and red. Two purple buttons, two black buttons. Qi, three colors and three shells. Two purple 翣, two painted 翣, all wearing jade. Fish leaping in the pool. The official wears a purple front and a black back, and the same applies to the cloak. The scholar wears a rough cloth curtain, one pond, twisted. Two purple buttons, two black buttons. Qi, three colors and one shell. Two painted bamboo quilts, all wear a sash. The scholar wears a purple front and a black back, and two cloaks use purple. The king is buried with a chariot, four sashes and two stele, and the imperial coffin uses a feathered banner. The official is buried with a chariot, two sashes and two stele, and the imperial coffin uses a thatched roof. The scholar is buried with a state carriage. Two sashes and no stele, when leaving the palace, the imperial coffin uses a gong cloth. When sealing, use a sash without a stele to carry the coffin. The king seals with a balance, and the official and scholar use a salt. The king orders not to shout, and seals with a drum; the official orders not to cry; the scholar cries and stops. The king's pine coffin, the official's cypress coffin, the official's mixed wood coffin. Between the coffin and the coffin, the king can hold a 柷, the official can hold a pot, and the scholar can hold a 甒. The king's coffin is in the inner coffin and the Yu basket, the senior official is not in the inner coffin, and the scholar is not in the Yu basket.

If the morning, if the morning, we parted reluctantly

The host personally invites the guests to the door, and the guests follow him. As for the door, the host bows to the guests and the door, and the guests enter by themselves; the distinction between noble and humble is made. Three bows to the steps, three concessions to the guests, bowing to the door, offering, paying, and refusing are complicated. The door is simple. As for the guests ascending to receive, sitting to offer, standing to drink. No toasts and descending; the distinction between high and low is made.

Backlight Early Summer

Tao Gong had great ambitions since he was young. His family was extremely poor, so he lived with his mother, Zhan. Fan Kui, a fellow countyman who was well-known, was selected as a filial and honest official and stayed at Kan's place. At that time, ice and snow accumulated day by day, and Kan's room was as dark as a hanging chime, while Kui had many horses and servants. Kan's mother, Mrs. Zhan, said to Kan, "You just go out and entertain the guests, and I will take care of the affairs myself." Zhan's hair fell to the ground, and the lower part was broken into two buns. She sold several bushels of rice, chopped down the pillars of the house, cut half of them into firewood, and ground the remaining hair into horse grass. Every day and evening, he provided fine food, so that his followers had nothing to lack. Kui was amazed at his eloquence and felt deeply ashamed of his kindness. The next morning he left, and Kan followed him closely, and they walked for about a hundred miles. Kui said, "The road is long, you should go back." Kan still did not return, so Kui said, "You can go now! We will talk about your good deeds in Luoyang." Kan then returned. Kui and Luo then praised them to Yang Zhi, Gu Rong and others, and they won great praise.

The stars in the eyes of the one you like

Theus of Armantia

The concubine's son does not offer sacrifices to make his clan clear. The concubine's son cannot be the eldest son for three years, and he cannot succeed the ancestor. The ancestor is the ancestor, the successor is the clan, and the successor is the minor clan. There are clans that will not be moved for a hundred generations, and the clans that will be moved after five generations. Those who will not be moved for a hundred generations are the descendants of the concubine's son; the clan that succeeds the concubine's son is the one who will not be moved for a hundred generations. The one who succeeds the great ancestor is the one who moves after five generations. Respecting the ancestors means respecting the clan. Respecting the clan is the meaning of respecting the ancestors. There are those who have a small clan but no big clan, those who have a big clan but no small clan, and those who have no clan but no one to be the clan, such as the princes. The princes have the way of clan: the princes are the common people of the scholars and officials, and the princes are the way of clan. The relatives are not transferred, and the relatives are the relatives.

The First Song of the Phoenix

Wang Zhonglang loved Zhang Tianxi very much and asked him, "You have seen the paths and tracks of the people who crossed the Yangtze River. What is so great about the tracks on the left side of the Yangtze River? How are the later talents compared with the Central Plains?" Zhang said, "Since Wang and He, we have studied the profound and profound things. We have made changes according to the times, following the style of Xun and Yue." Wang said, "You have more knowledge and insights, why did you let Fu Jian control you?" He replied, "The yang disappears and the yin rests, so the steps of the sky are slow; the negative and positive are stripped away to form an image, so why should we criticize you too much?"