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When mourning clothes are worn, the crying is like going out but not turning back; the crying of mourning clothes is like going out and turning back; the crying of mourning clothes for the great merit is three bends and then folded; the mourning clothes for the small merit and the mourning clothes are acceptable. This is the expression of sorrow in the voice.
Jianwen asked Sun Xinggong: "What is Yuan Yang like?" He replied: "Those who don't know him don't live up to his talent; those who know him don't take his nature."
The host pays the guest to the door, the song ends three times, and the host offers it; the sheng enters three times, and the host offers it; the interlude ends three times, and the music ends three times. The musician announces that the music is ready, and then leaves. One person raises the cup, and then the Sizheng stands there, knowing that he can harmonize the music without drifting.
At first, Xie An lived in Dongshan, wearing commoner clothes. At that time, his brothers had already become rich and powerful, and they gathered at home, becoming a popular figure. Madam Liu jokingly said to An, "Shouldn't a real man be like this?" Xie scratched his nose and said, "I'm afraid I can't avoid it!"
Wang Changshi was ill and his relatives and friends had difficulty communicating. When Lord Lin arrived, the gatekeeper immediately opened the door and said, "There is a stranger at the door. I dare not refuse to open the door." The king laughed and said, "This must be Lord Lin."
Zhao Wenzi and Shu Yu watched Jiuyuan. Wen Zi said, "If the dead can be revived, who should I go home with?" Shu Yu asked, "Is it Yang Chufu?" Wen Zi said, "He has been in Jin and has not lost his body. His knowledge is not worth mentioning." "Is it his uncle who committed the crime?" Wen Zi said, "He sees profit and does not care about his lord. His kindness is not worth mentioning. Should I follow Wu Zi? He benefits his lord without forgetting himself, and seeks his own life without abandoning his friends."
Therefore, in ancient times, the emperor had a system that the princes offered tribute to the emperor every year, and the emperor tested them in the archery palace. Their appearance was comparable to the ritual, and their etiquette was comparable to the music. If they hit the target more, they could participate in the sacrifice. If their appearance was not comparable to the ritual, and their etiquette was not comparable to the music, and they hit the target less, they could not participate in the sacrifice. If they participated in the sacrifice more, the king would celebrate; if they did not participate in the sacrifice, the king would give way. If there were celebrations, the land would be increased; if there were ways of giving way, the land would be reduced. Therefore, it is said: Archery is for the princes. Therefore, the princes, the rulers and the ministers devote their efforts to archery to learn rituals and music. There has never been a ruler and the ministers who practiced rituals and music and then went into exile.
Wu Yuan Xia Mu Pei and Wang said: "Military is concise, and the model is clear and fluent."
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