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When the emperor mourns for the princes, he wears a crown, a sash, and a black robe; some say: let the officials mourn for him, and do not use music or food. When the emperor mourns, the coffin is covered with a dragon carriage, and an axe is added to the coffin, and the house is covered with paint. This is the emperor's etiquette.
Be not lazy when offering sacrifices. Burn the sacrificial clothes if they are worn out, bury the sacrificial utensils if they are worn out, bury the tortoise shells if they are worn out, and bury the dead animals if they are dead. Those who offer sacrifices to the public must clean their own sacrificial plates.
If the ministers go out of the country privately, they must ask for permission. When they return, they must offer. If the scholars go out of the country privately, they must ask for permission; when they return, they must tell. If the king works hard for them, they will bow; if they ask about their travels, they will bow before answering. When a king leaves his country, he is stopped by saying, "How can you leave the altar of the country?" The ministers say, "How can you leave the ancestral temple?" The scholars say, "How can you leave the grave?" The king dies for the altar of the country, the ministers die for the people, and the scholars die for the system.
When the emperor is about to go to war, he will be like the god, be suitable for the altar, make sacrifices to the gods, and worship the gods in the places he will conquer. He receives orders from his ancestors and is accomplished in school. When he goes to war, he arrests the guilty; when he returns, he offers sacrifices to the school and reports the results of the investigation.
The etiquette for being a son is: be warm in winter and cool in summer, be alert at dusk and check on others in the morning, and do not argue with the ugly and the barbaric.
When Gu Changkang painted people, he might not be able to paint their eyes well for several years. People asked why? Gu said: "The beauty of the body is irrelevant; the essence of the portrayal lies in the details."
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