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When the king meets the guests, and the king bestows the title, they all bow twice and kowtow, and then rise to bow, which shows the etiquette of the ministers; the king returns the bow, and all the courtesy is returned, which shows the etiquette of the king. Ministers try their best to make contributions to the country, and the monarch will reward them with titles and salaries. Therefore, ministers should try their best to make contributions, so the country is safe and the monarch is at peace. There is no ritual that is not answered, which means that the superior does not take in vain from the subordinates. The superior must clarify the right way to guide the people, and the people follow the way and make contributions, and then take one tenth of it, so the superior has enough and the subordinate is not short of it; so the superior and the subordinate are in harmony and do not resent each other. Harmony and peace are the purpose of rituals; this is the great righteousness of the superior and the subordinate. Therefore, it is said that the banquet ritual is to clarify the righteousness of the superior and the subordinate.
Liu Ling wrote an ode to the virtue of drinking, expressing his feelings and emotions.
In the ceremony of pitching a pot, the host holds the arrow, the shooter holds the target, and someone holds the pot. The host asked, "I have a pot of whistle with crooked arrows. Please use it to entertain the guests." The guest said, "You have delicious wine and delicious food. Since I have given you, and you have also given me more entertainment, I dare not refuse." The host said, "I can't refuse the pot of whistle with crooked arrows. I dare to ask for it." The guest said, "I have given you, and you have also given me more entertainment. I dare not refuse." The host said, "I can't refuse the pot of whistle with crooked arrows. I dare not refuse." The guest said, "I refuse to accept your order. How dare I not obey?" The guest bowed again to accept it. The host returned it and said, "Please." The host bowed on the steps of the east, and the guest returned it and said, "Please." After bowing, he received the arrows, went to the middle of the two pillars, retreated to his seat, and greeted the guests to the banquet.
The emperor’s meal was nine shells; the princes had seven, the officials had five, and the scholars had three. The scholars were buried in the third month, and the mourning ended in that month; the officials were buried in the third month, and the mourning ended in the fifth month; the princes were buried in the fifth month, and the mourning ended in the seventh month. The scholars had three Yu, the officials had five, and the princes had seven. The princes sent people to offer condolences, and the next one was: the one who brought the coffin and the offerings and arrived, all finished the work on the same day, and the next one was like this. When a king is ill, he asks countless questions; a scholar asks only once. When a king is with a noble official, he does not eat meat at the funeral, and does not play music at the funeral; when a scholar is with a funeral, he does not play music. When the main coffin is carried, the princes hold the ropes of 500 people, four ropes, all of whom hold their mouths shut. The Sima holds the bell, eight on the left and eight on the right, and the carpenters hold feathered banners to support the coffin. When a senior official is buried, when the main coffin is carried, there are 300 people holding the lead, four on the left and four on the right, and the coffin is covered with thatch.
The meaning of the banquet etiquette of the princes: the king stands in the southeast of the steps to the east, facing the ministers to the south, and the ministers all move forward a little, which is the position; the king sits on the steps to the east, occupying the main position; the king stands alone on the seat, facing the west, and no one dares to approach him. It is the etiquette of setting up guests and drinking; letting the prime minister serve the host, and no minister dares to challenge the king in etiquette; not treating the ministers as guests, but the ministers as guests, is suspicious, which shows the meaning of suspicion; when the guests enter the central courtyard, the king lowers one level and bows to them, which is a courtesy.
This month, the emperor drives away the beasts and does not harm the crops, and does not engage in large-scale hunting. When the farmers harvest the wheat, the emperor tastes the wheat with pigs and first offers it to the temple. This month, he gathers and raises hundreds of medicinal herbs. No grass dies, and the wheat harvest arrives. He makes light punishments, decides minor crimes, and releases people from light prisons. When the silkworm work is finished, the empress and concubines offer cocoons. He collects the cocoon tax, and makes it equal for the rich and the poor, the old and the young, to provide clothing for the suburbs and temples. This month, the emperor drinks zhu and uses rituals and music.
All the learning of the crown prince and the scholars must be in season. In spring and summer, they learn to play the sword and spear, and in autumn and winter, they learn to play the feather and flute, all in the East Sequence. The minor music director learns the sword and spear, and the big official assists him. The flute master learns the spear and the flute master assistant assists him. The official plays the drum in the south. In spring, he recites and in summer, the master orders him. In autumn, Gu Zong learns the ritual, and the person in charge of the ritual orders him; in winter, he reads and the person in charge of the book orders him. The ritual is in Gu Zong, and the book is in Shangxiang. All the rituals of sacrifice, caring for the elderly, asking for words, and talking together are ordered by the minor music director in the East Sequence. The big music director learns to dance the sword and spear, speak, and ask for words, all of which are taught by the big music director, and the big official discusses and discusses in the East Sequence.
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