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Wang Zhonglang once asked Liu Changsha, "How am I compared to Gou Zi?" Liu replied, "Your talent is not as good as Gou Zi's, but you are famous in many places." Wang laughed and said, "You are stupid!"

Do not pull the coming, do not report the past, do not blaspheme the gods, do not follow the wrong, do not predict the unknown. Scholars rely on virtue and enjoy art; workers rely on law and enjoy persuasion. Do not criticize clothes and tools, do not be pedantic of words. The beauty of words is solemn and majestic; the beauty of the court is full of people; the beauty of sacrifice is orderly and majestic; the beauty of carriages and horses is not timid; the beauty of phoenixes is solemn and peaceful. Ask the king's sons, the elder one says: "He can follow the affairs of the state"; the younger one says: "He can control" or "He can't control". When asked about the age of a senior official's son, if he is older, he will say, "He can follow the music of the musicians"; if he is younger, he will say, "He can be correct in the music of the musicians" but he cannot be correct in the music of the musicians". When asked about the age of a scholar's son, if he is older, he will say, "He can plough the fields"; if he is younger, he will say, "He can carry firewood" but he cannot carry firewood. He cannot walk when holding a jade or tortoise shell, nor when he is in the hall or on the city wall. He cannot walk in a military carriage; the intermediary cannot bow.

Mian: Take the meat of cattle, sheep and pig, cut it into small pieces, and add rice; two parts rice and one part meat, and fry them together as bait.

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最新章节：全秒（2025-03-21）

更新时间：2025-03-21

I have a beauty system

Dao Mengyan

There are three talents in the Taifu: Liu Qingsun is the most talented, Pan Yangzhong is the most talented, and Pei Jingsheng is the most talented.

Looking Back: Rebirth from the Ashes

Gai Gui Si

For all positions, except for the funeral of a relative, the age of mourning below all ascend the throne and cry and mourn until he has finished his work, but he removes his mourning clothes to the east, ascends the throne, exposes his hair to the east, dances, and wears mourning clothes, bows to the guests and returns to his seat, cries and dances, sends the guests back to his seat, and the attendant tells him to take his place. After three days and five cries, the host goes out to see the guests off; all the host's brothers go out, and the crying stops. The attendant tells him that the work is done. He wears mourning clothes and bows to the guests. If the host's family is far away, he wears mourning clothes and goes. For the age of mourning clothes, cry while looking at the hometown; for the great merit, cry while looking at the door; for the small merit, cry when reaching the door; for the mourning clothes, cry while ascending the throne. Cry for the father's party in the temple; for the mother's wife's party in the bedroom; for the teacher outside the temple gate; for the friend outside the bedroom gate; for the acquaintance in the wild, set up the curtain. In all cases of mourning, no offerings are made. Nine times for the emperor, seven times for the princes, five times for the ministers, and three times for the scholars. The ministers mourn for the princes, but dare not bow to the guests. The ministers in other countries cry for their positions, but dare not bow to the guests. Brothers with the princes also cry for their positions. All those who hold positions have their bare backs. Those who know each other mourn first at home and then at the tomb, and all of them dance for the funeral, facing north from the host and dancing. In all cases of mourning, the father is the main mourner when the father is still alive; after the father dies, the brothers live together and each of them mourns for his own. If the relatives are the same, the elder one is the main mourner; if they are not the same relatives, the closest one is the main mourner. When hearing about the funeral of a distant brother, the mourning period is over, and the mourning period is not heard, and the bare backs are not worn, and the left hand is preferred to bow to the guests. The only people who hold positions without mourning are sisters-in-law and uncles; and women who come down without mourning wear hemp. In all cases of mourning, if a minister arrives, he should bare his backs, bow to him, dance to him, and then kiss him; for scholars, kiss him and then bow to him.

Mysterious Husband: High-profile Love

Nian Guisi

Jia Chong's wife, Li, wrote a set of instructions for girls, which were circulated in the world. The daughter of Li, the wife of King Xian of Qi, and the daughter of Guo, the empress of Emperor Hui. After Chong died, Li and Guo's daughters each wanted to be buried together with their mother, but they could not decide for years. After Empress Jia was deposed, Lady Li was enshrined in the royal family and the burial was decided.

Hidden Light

Suxing

The head blamed Qin Ziyu and said: "You are not as good as Wen Yong of Taiyuan, Xun Yu of Yingchuan, Zhang Hua of Fanyang, Liu Xu of Shiqing, Zou Zhan of Yiyang, and Zheng Xu of Henan. These few people are either outspoken and have no sense of rhythm or are naive and seldom talkative, or are too eloquent and have too many gestures, or are noisy and lack wisdom, or have a mouth like glue, or have a head like a pestle. But they are still impressive in their literary talent and detailed in their ideas, and they are like dragons and phoenixes, and they have all ascended to heaven."

Senior brother's attributes are slightly cruel

Mao Xiayi

Liu Kun called Zu Cheqi Langyi, saying, "When he was young, he was admired by Wang Dun."

Ordinary God

Juhuo

After crying, taboos are used. In etiquette, do not taboo names that are disliked. Two names are not tabooed. If you are in the service of your parents, you should taboo the king's parents; if you are not in the service of your parents, you should not taboo the king's parents. The king has no private taboos, and the nobles have public taboos. There is no taboo in the "Book of Songs" and "Book of Documents", and there is no taboo in writing. There is no taboo in the temple. The taboos of wives, even in front of the king, are not taboos; women do not taboo when leaving home. There is no taboo for major or minor merits. Ask about the prohibitions when entering the country, ask about the customs when entering the country, and ask about the taboos when entering the door.

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