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When Han Kangbo was a few years old, his family was extremely poor. During the severe cold weather, he could only afford a jacket. The mother, Lady Yin, made it herself and asked Kang Bo to hold the iron. She said to Kang Bo, "Put on the quilt and make the scarf again soon." The child said, "It is enough. There is no need to make the scarf again." The mother asked why. He replied, "There is fire in the iron and the handle is hot. Now that I'm wearing chopsticks and clothes, the bottom should also be warm, so there is no need for ears." His mother was very surprised and knew that it was a national instrument.

At first, there were dozens of people who annotated Zhuangzi, but none of them could understand its main points. Xiang Xiu explained the meaning beyond the old annotations, with wonderful and unique analysis, and promoted the mysterious style. Only the two poems "Autumn Water" and "Supreme Joy" were not completed when Xiu died. When Xiuzi was young, Yi died, but there is still another copy. Guo Xiang was a man of mean conduct but with great talent. Seeing that Hideyoshi's work was not passed down to the world, I secretly took it as my own. He added his own annotations to the two chapters "Autumn Water" and "Supreme Joy", and changed the chapter "Horse's Hoof". As for the rest of the chapters, he only added some fixed sentences. Later, Xiu Yi wrote a different version, so now there are two Zhuangs, Xiang and Guo, but the meaning is the same.

Jianwen asked Sun Xinggong: "What is Yuan Yang like?" He replied: "Those who don't know him don't live up to his talent; those who know him don't take his nature."




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