168 Sports App Entrance

The Gods of the Universe System

Tao Gong had great ambitions since he was young. His family was extremely poor, so he lived with his mother, Zhan. Fan Kui, a fellow countyman who was well-known, was selected as a filial and honest official and stayed at Kan's place. At that time, ice and snow accumulated day by day, and Kan's room was as dark as a hanging chime, while Kui had many horses and servants. Kan's mother, Mrs. Zhan, said to Kan, "You just go out and entertain the guests, and I will take care of the affairs myself." Zhan's hair fell to the ground, and the lower part was broken into two buns. She sold several bushels of rice, chopped down the pillars of the house, cut half of them into firewood, and ground the remaining hair into horse grass. Every day and evening, he provided fine food, so that his followers had nothing to lack. Kui was amazed at his eloquence and felt deeply ashamed of his kindness. The next morning he left, and Kan followed him closely, and they walked for about a hundred miles. Kui said, "The road is long, you should go back." Kan still did not return, so Kui said, "You can go now! We will talk about your good deeds in Luoyang." Kan then returned. Kui and Luo then praised them to Yang Zhi, Gu Rong and others, and they won great praise.

Fireworks from the other side dance in the sky

The host and the guest symbolize heaven and earth; the host and the guest symbolize yin and yang; the three guests symbolize the three lights; the three of them symbolize the three days of the moon; the four sides of the seat symbolize the four seasons.

Northern Desert Dragon

The billionaire president is not pure

When Zhang Wuxing was eight years old, he was missing teeth. The wise knew that this was not normal, so they joked with him, "Why is there a dog hole in your mouth?" Zhang replied, "It is for you to go in and out through it!"

You promised me a lifetime of beauty, I promised you a lifetime of flowers

Yin Zhongjun wrote to someone, thanking Wan for his "elegant and logical writing, which was not easy to achieve."

A Glimpse 1

The etiquette of mourning is that if one is thin and emaciated, one's appearance will not be affected, and one's sight and hearing will not be impaired. One should not ascend or descend by the steps on the east side, and one should not enter or leave through the tunnels. The etiquette of mourning is that if there is a wound on the head, one should wash it, if there is an ulcer on the body, one should bathe it, if one is sick, one should drink wine and eat meat, and when the illness stops, one should return to the original state. If one cannot bear the mourning, it is like being unkind and unfilial. At fifty, you will not be ruined; at sixty, you will not be ruined; at seventy, you will only wear mourning clothes, drink wine, eat meat, and stay at home. Life and the future, death and the past. Those who know life mourn, and those who know death are sad. Those who know life but not death mourn but are not sad; those who know death but not life are sad but not mourn. When mourning, you cannot give a gift, and do not ask how much it costs. When asking about illness, you cannot leave it, and do not ask what it wants. When meeting someone, you cannot stay at the house, and do not ask where it lives. Those who give gifts do not say "come and take". Those who give to others do not ask what they want. When visiting a grave, do not climb the ridge, and when helping with the burial, you must hold the rope. Do not smile at a funeral. When bowing to someone, you must go against your position. Do not sing when looking at the coffin. Do not fly when entering. Do not sigh when eating. When a neighbor dies, do not pound the mortar together. When there is a funeral in the village, do not sing in the alley. Do not sing when visiting a grave. Do not sing on the day of mourning. Do not take the shortcut when sending off a funeral, and do not avoid muddy roads when sending off a funeral. When facing a funeral, one must have a sad look, hold a rope and do not smile, and when facing music, one must not sigh; when wearing armor, one must have an expression of being untouchable.