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大炕上的暴伦小丹

Mao Xifeng 220涓囧瓧 91021浜鸿杩 杩炶浇

銆姶罂簧系谋┞仔〉ゃ

Wang Zijing went from Kuaiji to Wu and heard that Gu Pijiang had a famous garden. I didn't recognize the host at first, so I went straight to his house, where I saw Gu gathering his guests and friends for a drunken feast. When the king finished his travels, he gave orders about his likes and dislikes as if no one was around. Gu was furious and said, "To be arrogant to the master is not polite; to be arrogant to others because of one's status is not the right way. If one loses these two, he is not worthy of being a human being and is a fool!" He then drove his attendants out of the door. The king turned around alone in the carriage, looked left and right, but saw no one coming. Then he ordered the chopsticks to be sent out the door, looking disdainful.

The king creates music when his achievements are accomplished, and establishes rituals when his governance is established. Those who have great achievements have complete music, and those who have a good governance have complete rituals. The dance of Ganqi is not complete music, and those who are prosperous and worship are not complete rituals. The Five Emperors lived in different times, and did not follow each other's music; the Three Kings lived in different times, and did not follow each other's rituals. When music is excessive, it leads to worry, and when rituals are rough, they become biased. And when




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鏇存柊鏃堕棿锛2025-03-17

鏈鏂扮珷鑺傚垪琛
缃楁捣渚
椹氮
鏈夌偣鐑
璺笅
鎬掑彂鍐插啝
鏈煡鍘熷洜
涔欐槦鑽
涓娆″埆绂
澶т細寮濮
鍏ㄩ儴绔犺妭鐩綍
绗1绔 鍦熼簰楹
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绗3绔 鎴戞病绉樺疂
绗4绔 琛ㄥ摜
绗5绔 鍐鍑烘墜
绗6绔 娣锋矊澶╃伒姒滐紒
绗7绔 绛夊緟澶╅粦锛堝姞鏇2锛
绗8绔 鐙傞鐣岄仐姘戯紒
绗9绔 鎶翰鑰屽幓
绗10绔 涔斾紛绾
绗11绔 鑿滈笩澶OSS锛屾ф劅澶ц悵鑾
绗12绔 澶ф
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