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Lord Xie asked Wang Zijing, "How is your calligraphy compared to that of your father?" He replied, "Of course they are different." Lord Xie said, "Outsiders may say otherwise." The king said, "How can outsiders know?"
At nightfall at the tomb of Emperor Xiaowu, Wang Xiaobo came to the tomb and told his brothers: "Although the rafters and beams are new, they still bring with them the sorrow of the lost generations!"
Wang Sengmi, Xie Cheqi and Wang Xiaonu Xu gathered together. Sengmi raised his wine to Xie and said, "I'll give you a cup." Xie said, "Yes." Sengmi got angry and said, "You are the one who fishes for stones in the Wuxing River! How dare you insult me!" Xie clapped his hands and laughed, saying, "Wei army, Sengmi is so undisciplined that you are invading our country."
Zixia said: "The five ultimates have been heard, and I dare to ask what the three nothings are?" Confucius said: "Music without sound, ritual without body, mourning without clothes, this is called the three nothings. "Zixia said: "I have heard the three "nothings" briefly. May I ask which poem is closest to them?" Confucius said: "'The life of the morning and the evening is to be forgiven and secret' is the music without sound. 'The dignity and manners are so great that they cannot be chosen' is the etiquette without form. 'When the people are in mourning, they crawl to save them' is the mourning without clothes."
Duke Ai wanted to set up a "bo" for the funeral of Ru Zi Yu, and asked Youruo. Youruo said: "It's OK. Your three ministers also set up a "bo"." Yan Liu said: "The emperor rides a dragon carriage and a coffin curtain, and the princes ride a carriage and set up a curtain - the "bo" was set up for Yu Shen; the three ministers abandoned the carriage and set up a "bo", which is not in accordance with etiquette. Why do you learn from it!"
Zhang Cangwu was the ancestor of Zhang Ping. He once said to Ping’s father, “I am not as good as you.” Ping’s father did not understand why. Cangwu said, "You have a beautiful son." Ping was a few years old at that time. He put his hands together and said, "Old man, how can you tease your father with your son?"
When Gu Changkang painted people, he might not be able to paint their eyes well for several years. People asked why? Gu said: "The beauty of the body is irrelevant; the essence of the portrayal lies in the details."
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