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Wang Shuang was drinking with Sima Taifu. The Grand Tutor was drunk and called the king "boy." The king said, "My late grandfather, the Chief Secretary, was a friend of Emperor Jianwen. My late aunt and sister were married and had two concubines. How can they be called boys?"
After crying, taboos are used. In etiquette, do not taboo names that are disliked. Two names are not tabooed. If you are in the service of your parents, you should taboo the king's parents; if you are not in the service of your parents, you should not taboo the king's parents. The king has no private taboos, and the nobles have public taboos. There is no taboo in the "Book of Songs" and "Book of Documents", and there is no taboo in writing. There is no taboo in the temple. The taboos of wives, even in front of the king, are not taboos; women do not taboo when leaving home. There is no taboo for major or minor merits. Ask about the prohibitions when entering the country, ask about the customs when entering the country, and ask about the taboos when entering the door.
All the learning of the crown prince and the scholars must be in season. In spring and summer, they learn to play the sword and spear, and in autumn and winter, they learn to play the feather and flute, all in the East Sequence. The minor music director learns the sword and spear, and the big official assists him. The flute master learns the spear and the flute master assistant assists him. The official plays the drum in the south. In spring, he recites and in summer, the master orders him. In autumn, Gu Zong learns the ritual, and the person in charge of the ritual orders him; in winter, he reads and the person in charge of the book orders him. The ritual is in Gu Zong, and the book is in Shangxiang. All the rituals of sacrifice, caring for the elderly, asking for words, and talking together are ordered by the minor music director in the East Sequence. The big music director learns to dance the sword and spear, speak, and ask for words, all of which are taught by the big music director, and the big official discusses and discusses in the East Sequence.
When the senior officials and scholars meet the king, if the king is pleased with them, they shall step aside, bow twice and kowtow; if the king greets them, they shall step aside and dare not return the bow. When the senior officials and scholars meet, even if they are of different ranks, if the host respects the guest, he shall bow to the guest first; if the guest respects the host, he shall bow to the host first. Unless they are mourning or meeting the king, they shall return the bow.
When following the teacher, I will not cross the road to talk to others. When I met the teacher on the road, I walked towards him, stood upright and bowed. If the teacher talks to him, he will respond; if the teacher doesn't talk to him, he will retreat.
Zishang did not mourn when his mother died. His disciples asked Zisi, “Did your ancestors mourn their mothers?” He said, “Yes”. “Why did you not let Bai mourn?” Zisi said, “My ancestors did not lose the way; when the way was high, they followed the way; when the way was low, they followed the way. How could Ji do that? Those who marry Ji are Bai’s mother; those who do not marry Ji are not Bai’s mother.” Therefore, the Kong family did not mourn their mothers when their mothers died, starting with Zisi.
There was a Taoist from the north who was good at reasoning. He met Mr. Lin at the Wuguang Temple and they talked about sketches. At that time, Zhu Fashen and Sun Xinggong all listened together. This Taoist raised many difficult questions, and Mr. Lin answered them clearly and analytically, with a refreshing tone. This Taoist always crushes the weak. Sun asked Mr. Shen: "Master, you must be in a difficult situation, why have you never said anything?" Mr. Shen smiled but did not answer. Mr. Lin said, "The white sandalwood is fragrant, so how can it go against the wind?" Mr. Shen understood the meaning and was disdainful.
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