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When the father is in mourning, the sons in the palace cannot participate in the music. When the mother is in mourning, If the sound is heard, do not play music. If the wife is in mourning, do not play music beside her. When a great achievement is about to come, set aside the zither and the harp. When a small achievement comes, do not stop the music.
Wang Youjun was good at calligraphy, as were Wang Jingren and Xu Xuandu. After the two men died, Youjun became even more successful in debates. Kong Yan warned him, saying, "Your Excellency, in the past you had close relations with Wang and Xu. But after they passed away, you did not take good care of them. This is unacceptable to the people." Youjun felt very ashamed.
Duke Xian of Wei fled and returned to Wei. When he reached the suburbs, he was about to arrange the city with his followers before entering. Liuzhuang said, "If everyone guards the altar of the state, who will hold the reins and follow; if everyone follows, who will guard the altar of the state? If the king returns to his country and has private interests, isn't it wrong?" He did not arrange the city.
When a gentleman is about to build a palace, the ancestral temple comes first, the stables and storehouses come second, and the living quarters come last. For all household construction, sacrificial utensils come first, sacrificial tribute comes second, and domestic utensils come last. Those without land and salary do not set up sacrificial utensils; those with land and salary first make sacrificial clothes. Even if a gentleman is poor, he does not eat porridge with sacrificial utensils; even if it is cold, he does not wear sacrificial clothes; when building a palace, he does not cut hills and trees. When a senior official or scholar leaves the country, sacrificial utensils are not overused. The senior officials shall leave the sacrificial vessels with the senior officials, and the scholars shall leave the sacrificial vessels with the scholars.
At first, there were dozens of people who annotated Zhuangzi, but none of them could understand its main points. Xiang Xiu explained the meaning beyond the old annotations, with wonderful and unique analysis, and promoted the mysterious style. Only the two poems "Autumn Water" and "Supreme Joy" were not completed when Xiu died. When Xiuzi was young, Yi died, but there is still another copy. Guo Xiang was a man of mean conduct but with great talent. Seeing that Hideyoshi's work was not passed down to the world, I secretly took it as my own. He added his own annotations to the two chapters "Autumn Water" and "Supreme Joy", and changed the chapter "Horse's Hoof". As for the rest of the chapters, he only added some fixed sentences. Later, Xiu Yi wrote a different version, so now there are two Zhuangs, Xiang and Guo, but the meaning is the same.
Confucians tell each other about good things when they hear them, show each other good things when they see them; they are ranked first and rank first, they die together in adversity; they treat each other for a long time, and they come to each other from afar. They are like this in their appointments and appointments.
Wang Rong had some favorite lychees. When he sold them, he was afraid that someone would get the seeds, so he always drilled the pits.
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