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The Master said: "The great man does not get close to those who are virtuous, but trusts those who are humble; the people are lost because of this, and the teaching is troubled because of this. The Book of Songs says: "If they seek me, it is as if they cannot get me; if they hold my enemies, they will not be able to help me. ’Jun Chen said: ‘If you have not seen a sage, you are not able to see him; if you have seen a sage, you cannot follow him. ’”
During the day, it is okay to stay inside and ask about someone's illness; at night, it is okay to stay outside and express condolences. Therefore, a gentleman does not stay outside unless there is a major cause; he does not stay inside day and night unless he is in Qi or is not ill.
Emperor Ming of Wei asked his younger brother Mao Zeng to sit with Xiahou Xuan, and people at that time said it was "reeds leaning against jade trees."
Zhong Shiji was a man of intelligence and talent, but he did not know Ji Kang at first. Zhong Yao and other talented and wise men of the time went to look for Kang. Kang Fang was forging iron under a big tree, and Xiang Ziqi was assisting him in beating the drums. Kang Yang continued to hammer as if no one was around, and did not say a word for some time. Zhong got up and left. Kang asked, "What did you hear and why did you come? What did you see and why did you leave?" Zhong said, "I came because I heard and I left because I saw."
When He Pingshu's annotations to Laozi were completed, he presented them to Wang Fusi. When he saw Wang's annotations were exquisite and unique, he was amazed and said, "Such a person can discuss the relationship between heaven and man with me!" Therefore, he regarded his annotations as the Second Essay on Morality.
The Master said: "The way of a gentleman is to open up the streets and the people are what the streets lack. "If a great man is a censor, the people will still go beyond him. Therefore, a gentleman should use rites to censor virtue, punish punishments to censor extravagance, and command to censor desire.
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