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The phoenix chariot is the road of the Youyu clan. The hook chariot is the road of the Xiahou clan. The big road is the Yin road. The riding road is the Zhou road. The flag of the Youyu clan, the saddle of the Xiahou clan, the big white of the Yin, the big red of the Zhou. The Xiahou clan's camel horse has a black mane. The Yin people have a white horse with a black head. The Zhou people have a yellow horse with a mulberry mane. In the Xia Dynasty, black animals were preferred, in the Yin Dynasty, white males, and in the Zhou Dynasty, males were strong.
When Ji Wuzi finished his bed, he found that Du Shi’s burial was under the west steps, and he asked for joint burial there, and he agreed. He entered the palace but did not dare to cry. Wuzi said, “Joint burial is not an ancient practice. It has not been changed since the time of Duke Zhou. I allow the big but not the small, why?” He ordered him to cry.
The pickled beans are the harmonious air of aquatic plants; the meat is produced on land. The beans are produced on land; the meat is aquatic. The offerings of the bamboo baskets and beans are the products of the water and soil. We dare not use the usual vulgar food and value the rich food. This is the meaning of communicating with the gods, not the way of eating. The offerings of the former kings can be eaten but not used. The crown and carriage can be displayed but not liked. The military is strong, but not enjoyable. The majesty of the ancestral temple, but it cannot be ignored. The vessels of the ancestral temple can be used but not used for their own benefit. The reason for communicating with the gods and spirits should not be the same as the meaning of comfort. The beauty of wine and liquor, the preference for dark wine and bright water, is the origin of valuing the five flavors. The beauty of embroidery and the preference for sparse cloth are the beginning of women's work. The comfort of the bamboo mat and the preference for the quilt are the light. The big soup is not harmonious, it is the value of its quality. The big jade is not polished, it is the beauty of its quality. The beauty of the red lacquer carved table and the plain carriage are the respect for its simplicity and the value of its quality. The reason for communicating with the gods and spirits should not be the same as the meaning of comfort. Only in this way can it be appropriate. The odd shapes of the tripod and the even shapes of the dishes and the yin and yang are the meaning of yin and yang. The yellow eyes are the supreme respect of the depressed qi. Yellow means the middle; eyes are the clear and bright qi. It means to pour in the middle and be clear and bright outside. To offer sacrifice to the heaven, sweep the ground and offer sacrifice there, it is the quality. The beauty of pickled meat and salt, and the popularity of salt, are because they are produced by nature. The use of a knife and the value of a phoenix knife are because of their righteousness. The sound is harmonious before it can be cut.
In the ceremony of pitching a pot, the host holds the arrow, the shooter holds the target, and someone holds the pot. The host asked, "I have a pot of whistle with crooked arrows. Please use it to entertain the guests." The guest said, "You have delicious wine and delicious food. Since I have given you, and you have also given me more entertainment, I dare not refuse." The host said, "I can't refuse the pot of whistle with crooked arrows. I dare to ask for it." The guest said, "I have given you, and you have also given me more entertainment. I dare not refuse." The host said, "I can't refuse the pot of whistle with crooked arrows. I dare not refuse." The guest said, "I refuse to accept your order. How dare I not obey?" The guest bowed again to accept it. The host returned it and said, "Please." The host bowed on the steps of the east, and the guest returned it and said, "Please." After bowing, he received the arrows, went to the middle of the two pillars, retreated to his seat, and greeted the guests to the banquet.
Ji Zhongsan was about to be executed in the East Market, but his expression remained unchanged. He asked for a zither and played Guangling San. At the end of the piece, he said, "Yuan Xiaoni once asked to learn this song, but I refused. Now Guangling San has been lost!" Three thousand students from the Imperial College wrote a letter to him, asking him to be their teacher, but he was not allowed. King Wen also regretted it.
Before Meng Chang arrived, his home was in Jingkou. I once saw Wang Gong riding in a high carriage, wearing a crane fur cloak. It was snowing lightly at the time, and Chang peeked at him from between the fences and exclaimed, "This is truly an immortal!"
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