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際際消消忝栽翆翆音触

Tuoba Xiaohui 857筝絖 939267篋肴肢 菴莉

際際消消忝栽翆翆音触

The Master said: "Listen carefully! The three women, I told you: there are still nine etiquettes, and four great feasts. If you know this, even if you do it in the fields, you will be a sage. When two kings meet, they bow and yield to each other before entering the door, and then they go up to the hall after bowing and yielding to each other, and then the music stops. They play Xiang and Wu, Xia and Yue in sequence. They set out their offerings, arrange their rituals and music, and prepare their hundreds of officials. Only in this way can a gentleman know benevolence. He follows the rules and returns to the rules, and he is in harmony with the phoenix. When a guest leaves, he is in harmony with the phoenix, and he is in harmony with the feathers. Therefore, a gentleman knows everything in etiquette. When he enters the door, the sound of gold is made to show his feelings. When he rises to sing Qingmiao, he is indebted to his virtue. When he goes down to play Xiang, he is indebted to his deeds. Therefore, the gentlemen of ancient times did not need to talk to each other in person, but only showed each other etiquette and music.

Duke Ai wanted to set up a "bo" for the funeral of Ru Zi Yu, and asked Youruo. Youruo said: "It's OK. Your three ministers also set up a "bo"." Yan Liu said: "The emperor rides a dragon carriage and a coffin curtain, and the princes ride a carriage and set up a curtain - the "bo" was set up for Yu Shen; the three ministers abandoned the carriage and set up a "bo", which is not in accordance with etiquette. Why do you learn from it!"




亥鐚蕭紿傑

贋井狗器2025-03-19

亥茵
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э篋翫罸鐚
睡嵯
筝ヨ腥器箙綣
莇g
鐚翫鐚
薛羂
腴綵
膃1腴 Ŭ筝鎀鐚
膃2腴 絎∴肢捷絖
膃3腴 寂査紊
膃4腴 莎亥寂
膃5腴 筝絽鐚篏・羇
膃6腴 罌医Ξ筝膊
膃7腴 莪篋菴箙羲篋鐚
膃8腴 羃≧莊
膃9腴 順
膃10腴 阪
膃11腴 綺莚綽紊
膃12腴 筝緇緇鐚
膃13腴 亥鐚鐚器
膃14腴 育臂莎
膃15腴 茣∝
膃16腴 絅割査
膃17腴 贋育
膃18腴 翫ソ篋
膃19腴 九笈
膃20腴 坂篋
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