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The emperor's great wax is eight. Yijishi first made wax, and wax means to ask. In the twelfth month of the year, all things are gathered together and asked to be feasted. The wax sacrifice is: the master first saves, and the priest saves. Sacrifice a hundred kinds of things in return for saving. Sacrificing farmers and postal officials, birds and beasts is the highest level of benevolence and the ultimate of righteousness. The ancient gentleman must repay what he has done. Welcoming cats is because they eat field mice; welcoming tigers is because they eat field pigs. Welcoming and offering sacrifices is a matter of duty. It is said that "the soil returns to its home", water returns to its ravine, insects do not work, and plants and trees return to their marshes. Leather hats and white clothes are used for sacrifice. White clothes are used to send off the dead. Kudzu belts and hazel sticks are used for mourning and killing. The wax sacrifice is the highest level of benevolence and the ultimate of righteousness. Yellow clothes and yellow crowns are used for sacrifice, which means resting the farmers. The wild man wears a yellow crown; the yellow crown is a straw dress. The Great Luo family is the emperor's master of birds and beasts, and the princes pay tribute to them. They come with a straw hat to respect the wild clothes. The Luo family presented a deer and a woman, and ordered the guests to report. To warn the princes: "Those who love fields and women will lose their countries." The emperor planted melons and flowers, but did not store the seeds. The eight waxes are used to mark the four directions. If the four directions are not prosperous in the year, the eight waxes will not flow, so as to be cautious of the people's money. When the prosperity is favorable, the waxes will flow, so as to migrate. After the waxes, the harvest is harvested and the people have rested. Therefore, after the waxes, the gentleman does not start work.

If you are not sitting or standing, do not go to participate; if you are not standing, do not go beyond the middle.

Ruan Ji's sister-in-law once came back home, and Ji saw her and said goodbye to her. Or ridicule it. Ji said, "Is the etiquette designed for people like us?"

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The meaning of the banquet etiquette of the princes: the king stands in the southeast of the steps to the east, facing the ministers to the south, and the ministers all move forward a little, which is the position; the king sits on the steps to the east, occupying the main position; the king stands alone on the seat, facing the west, and no one dares to approach him. It is the etiquette of setting up guests and drinking; letting the prime minister serve the host, and no minister dares to challenge the king in etiquette; not treating the ministers as guests, but the ministers as guests, is suspicious, which shows the meaning of suspicion; when the guests enter the central courtyard, the king lowers one level and bows to them, which is a courtesy.

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Sacrifices should not be frequent, as frequent sacrifices will lead to trouble, and trouble will lead to disrespect. Sacrifices should not be frequent, as frequent sacrifices will lead to laziness, and laziness will lead to forgetfulness. Therefore, a gentleman should follow the way of heaven: Spring sacrifices and autumn tastings. When frost and dew have fallen, a gentleman will feel sad when walking on them, not because of the cold. In spring, when rain and dew have wetted, a gentleman will feel terrified when walking on them, as if he is about to see it. Music is used to welcome, and sorrow is used to send off. Therefore, there is music in the sacrifices but no music in the tastings. Bring harmony inside and disperse harmony outside. On the day of the sacrifices: think about where he lives, think about his laughter, think about his aspirations, think about what he enjoys, and think about what he likes. After three days of sacrifices, you can see what he has done for harmony. On the day of sacrifice: when entering the room, one must see the position; when going out of the door, one must hear the voice; when going out of the door, one must hear the sigh. Therefore, the filial piety of the ancient kings is that the color does not forget the eyes, the sound does not stop in the ears, and the desires of the heart do not forget the heart. If you love, it will be preserved; if you are sincere, it will be remembered. If it is preserved and not forgotten in the heart, how can you not be respectful? A gentleman respectfully supports when he is alive and respectfully offers sacrifices to his dead, thinking that he will not be humiliated throughout his life. A gentleman has a lifelong mourning, which is the meaning of the anniversary of the death. Not using the anniversary of the death is not a bad omen. On the day of the death, one's mind is to reach a certain point, but he dare not use his private interests to the fullest. Only the sage can offer sacrifices to the emperor, and the filial son can offer sacrifices to his parents. Offering sacrifices means to pay respect. After paying respect, one can offer sacrifices. Therefore, the filial son does not feel ashamed when he is in front of the corpse. The king leads the sacrifice, and the lady offers the bowl. The king offers the corpse, and the lady offers the rice. The ministers assist the king, and the women assist the lady. Be respectful, be loyal, and be happy. Don't be too eager to entertain. King Wen's sacrifice: treat the dead as if they were alive, think of the dead as if they didn't want to live, mourn on the anniversary of the death, and mention the taboo as if you saw your parents. The loyalty of the sacrifice is like seeing the loved ones of the parents, and like the desire to express it; is it King Wen? The Book of Songs says: "I wake up in the morning and can't sleep, I have two people in my mind." This is King Wen's poem. The day after the sacrifice, I wake up in the morning and can't sleep, and I offer it to the deceased, and then I think about it. On the day of the sacrifice, there is half joy and half sorrow; the feast must be joyful, and the arrival must be sorrowful.

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Guo Jingchun's poem says: "There are no still trees in the forest, and no still water in the river." Ruan Fu said: "The vastness and desolation are beyond words. Every time I read this, I feel that my spirit transcends my body."

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Xie Zhonglang passed by the Houhu Lake of Qu'a and asked his attendants, "What kind of water is this?" They replied, "Qu'a Lake." Xie said, "It is a place where water flows into the deep and does not flow."

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