44lian

Thank you for still loving me

Thin Qing

Zhang Xuanzhi and Gu Fu were the grandchildren of Gu Hezhong. Both of them were smart and intelligent since they were young. He knew it, and often said that Gu Sheng was too close to Zhang, which made Zhang quite unhappy. At that time, Zhang was nine years old and Gu was seven years old. They went to the temple together. When they saw the Buddha's Nirvana statue, some of the disciples cried, while some did not. They asked their two grandsons about it. Xuan said, "Weep when you are loved by others, and don't cry when you are not loved by others." Fu said: "No, it is because I forgot my feelings that I did not cry, and I could not forget my feelings that I cried."

Small Jinbei and Big BMW

Youzi asked Zengzi: "Have you asked about funerals, Master?" He said: "I have heard that funerals want to get poor quickly, and death wants to decay quickly." Youzi said: "This is not what a gentleman says." Zengzi said: "Shen heard it from the Master." Youzi said again: "This is not what a gentleman says." Zengzi said: "Shen and Ziyou heard it." Youzi said: "Yes, then the Master said it for a reason." Zengzi told Ziyou this. Ziyou said, "How wonderful! Youzi's words are similar to yours. Once upon a time, when the Master was living in Song, he saw Sima Huan making a stone coffin for himself, which took three years to complete. The Master said, 'If it is so, then it is better to decay quickly than to die.' The desire to decay quickly was what Sima Huan said. When Nangong Jingshu returned, he would bring treasures with him to the court. The Master said, 'If it is so, then it is better to become poor quickly than to be buried.' The desire to become poor quickly was what Jingshu said." Zengzi told him what Ziyou said. When Youzi was talking to Youzi, Youzi said, "Yes, I have always said that this is not what the Master said." Zengzi said, "How do you know this?" Youzi said, "The Master made a four-inch coffin and a five-inch outer coffin in Zhongdu, so he knew that he did not want to decay quickly. In the past, when the Master lost the position of Sikou of Lu and was about to go to Jing, he first asked Zixia and then Ran You, so he knew that he did not want to become poor quickly."

The City God-level Abandoned Young Master

The concubine's son does not offer sacrifices to make his clan clear. The concubine's son cannot be the eldest son for three years, and he cannot succeed the ancestor. The ancestor is the ancestor, the successor is the clan, and the successor is the minor clan. There are clans that will not be moved for a hundred generations, and the clans that will be moved after five generations. Those who will not be moved for a hundred generations are the descendants of the concubine's son; the clan that succeeds the concubine's son is the one who will not be moved for a hundred generations. The one who succeeds the great ancestor is the one who moves after five generations. Respecting the ancestors means respecting the clan. Respecting the clan is the meaning of respecting the ancestors. There are those who have a small clan but no big clan, those who have a big clan but no small clan, and those who have no clan but no one to be the clan, such as the princes. The princes have the way of clan: the princes are the common people of the scholars and officials, and the princes are the way of clan. The relatives are not transferred, and the relatives are the relatives.

Confused in the play, crazy outside the play

Lu Pan forced the useless fox to seek immortality

In ancient times, the emperor and the princes must have officials who raised animals. When the season came, they all took a bath and personally worshiped the animals. Sacrificial animals must be taken there, which is the highest respect. The king summoned the cow, took it in and looked at it, selected its hair and divined it. If it was auspicious, then he would raise it. The king wears a leather hat and white silk, and on the first and half moons, the king inspects the animals, so as to devote himself to the work and show his filial piety. In ancient times, the emperor and the princes must have a public mulberry and silkworm room near the river. The palace is built with a height of three feet and a thorn wall to close it from the outside. When the great morning comes, the king wears a leather hat and white silk, and divines the auspiciousness of the three palace ladies and the concubines, and asks them to go to the silkworm room, offer seeds and bathe in the river; and mulberry in the public mulberry, eat the wind. After the year is over, the concubines finish the silkworms and present the cocoons to the king, and then offer the cocoons to the lady. The lady asks, "Is this what I wear for you?" Then she takes the cocoons and gives them a small sacrifice. In ancient times, those who offer cocoons usually use this! On a good day, the lady reels silk, and she spreads it in three basins, and then she asks the three palace ladies and the concubines to reel it; then she makes it red and green, black and yellow, and makes it into a pattern. After the clothes are made, the king should wear them to worship the ancestors, which is the utmost respect. The gentleman said: "Rites and music should never be separated from the body. If you use music to regulate the mind, then the heart of being easy, honest, and understanding will arise naturally. If the heart of being easy, honest, and understanding arises, then you will be happy, happy, peaceful, peaceful, long-lasting, and heavenly, and heavenly, divine. Heaven is trustworthy without words, and divine is majestic without anger. Use music to regulate the mind. Use ritual to regulate the body, then you will be solemn and respectful, and solemn and respectful will be dignified and majestic. If the mind is not harmonious and happy for a moment, then the heart of contempt and deceit will enter; if the appearance is not solemn and respectful for a moment, then the heart of arrogance and laziness will enter. Therefore, music is what moves the inside, and ritual is what moves the outside. Music is extremely harmonious, and ritual is extremely smooth. If the inside is harmonious and the outside is smooth, then the people will look at his face and not argue with him; look at his appearance, and the people will not be arrogant and easy. Therefore, when the brilliance of virtue moves inside, the people will all listen to him; when the reason is expressed outside, the people will all obey him. Therefore, it is said: If the way of ritual and music is achieved, the world will be filled with them, and it will be easy to carry them out. Music is what moves the inner self; ritual is what moves the outer self. Therefore, ritual is about reduction, and music is about abundance. Ritual is reduced and then progresses, and progress is the essence; music is abundant and then returns, and return is the essence. If ritual is reduced but not progressed, it will be lost; if music is abundant but not returned, it will be lost. Therefore, ritual has reward and music has return. If ritual gets its reward, there will be joy; if music gets its return, there will be peace. The reward of ritual and the return of music have the same meaning.