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Shi Chong and Wang Kai competed with each other in luxury and both used exquisite items to decorate their carriages and clothes. Emperor Wu was Kai's nephew and always supported Kai. He once gave Kai a coral tree, about two feet tall. The branches and twigs are luxuriant and luxuriant, rarely seen in the world. Kai shows respect. After Chong had examined it, he struck it with his iron ruyi and it broke into pieces. Kai felt sorry for it, but also thought that it was his treasure, so his voice and expression were very harsh. Chong said, "Don't be sad. I will return them to you now." He ordered his attendants to fetch all the coral trees. There were six or seven of them, three or four feet tall, with branches and trunks that were unparalleled and dazzling. There were many like Kaixu. Kai was at a loss.
When the temple is completed, it is sacrificed. Its ritual: Zhu, clan members, Zai Fu, Yong people, all have titles and pure clothes. Yong people wipe the sheep, clan members look at it, and Zai Fu faces north to the south of the stele and goes up to the east. Yong people lift sheep, climb up the house from the middle, face south of the middle room, cut the sheep, blood flows in front, then go down. Chickens are used for the door and the side room. First the door and then the side room. Their scalps are all under the house. Cut the chicken, the door is facing the door, the side room is the middle room. The officials all stand facing the side room, and the officials at the door face north of the door. After the work, the clan members report that the work is done, and then they all leave. Return to the king and say, "The work of sacrificing to the temple is done." Return to the bedroom, the king faces south of the door and wears court clothes. After returning to the order, they leave. When the road to the bedroom is completed, it is examined but not sacrificing. Sacrificing the house is the way to communicate with the gods. All the utensils of the ancestral temple. If it is completed, it is sacrificing with pigs and pigs.
When Gu Changkang painted people, he might not be able to paint their eyes well for several years. People asked why? Gu said: "The beauty of the body is irrelevant; the essence of the portrayal lies in the details."
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