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The great temple is the emperor's Mingtang. The storehouse gate is the emperor's Gaomen. The pheasant gate is the emperor's Yingmen. The sound of the wooden bell in the court is the emperor's policy. The mountain knots and the embroidery, the double eaves of the temple, the scraping of the pillars to reach the countryside, the reverse altar out of the vulture, the high altar Kanggui, and the sparse screens are the emperor's temple decorations.
Huan Xuan went west and entered Shitou. The outsider said, "Sima Liang Wang has fled and rebelled." Xuan had already made up his mind, and he played horns and drums on the carriage, and sang loudly, "The sound of flutes and pipes remains, where is Liang Wang?"
After Deng Jingling was dismissed from office, he went to the mountain tomb and met the Grand Marshal Huan Gong. The Duke asked him, "Why have you become thinner?" Deng said, "I feel ashamed of Shuda, and I cannot help but feel resentful for the broken steamer!"
After the grave is completed, they return home, and dare not enter the room. They live in a lean-to, mourning for their parents outside; they sleep on straw and pillows, mourning for their parents in the ground. Therefore, they cry without time, serve diligently for three years, and their longing for their parents is the will of filial sons and the reality of human nature.
The host personally invites the guests to the door, and the guests follow him. As for the door, the host bows to the guests and the door, and the guests enter by themselves; the distinction between noble and humble is made. Three bows to the steps, three concessions to the guests, bowing to the door, offering, paying, and refusing are complicated. The door is simple. As for the guests ascending to receive, sitting to offer, standing to drink. No toasts and descending; the distinction between high and low is made.
〔There are ten relationships in sacrifice〕Spreading the banquet and setting up the same table is to rely on the gods; calling the gods in the room and leaving the temple is the way to communicate with the gods. The ruler welcomes the sacrifice but not the corpse, which is to separate suspicion. If the corpse is outside the temple gate, it will be suspected by the minister, but if it is inside the temple, it will be safe for the ruler; if the ruler is outside the temple gate, it will be suspected by the ruler, but if it is inside the temple, it will be safe for the minister and the son. Therefore, those who do not leave the temple are clear about the righteousness between the ruler and the minister. In the way of sacrifice, the grandson serves the king's father's corpse. The one who serves the corpse is the son of the one who offers sacrifice; the father faces north to serve it, so as to clarify the way for the son to serve the father. This is the relationship between father and son. On the fifth day of the funeral, the king washes the jade cup and offers it to the nobles; on the seventh day of the funeral, the king offers the jade cup to the great officials; on the ninth day of the funeral, the king offers the scattered cup to the scholars and the officials, all in order of seniority. This is to clarify the order of superiority and inferiority.
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