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At first, there were dozens of people who annotated Zhuangzi, but none of them could understand its main points. Xiang Xiu explained the meaning beyond the old annotations, with wonderful and unique analysis, and promoted the mysterious style. Only the two poems "Autumn Water" and "Supreme Joy" were not completed when Xiu died. When Xiuzi was young, Yi died, but there is still another copy. Guo Xiang was a man of mean conduct but with great talent. Seeing that Hideyoshi's work was not passed down to the world, I secretly took it as my own. He added his own annotations to the two chapters "Autumn Water" and "Supreme Joy", and changed the chapter "Horse's Hoof". As for the rest of the chapters, he only added some fixed sentences. Later, Xiu Yi wrote a different version, so now there are two Zhuangs, Xiang and Guo, but the meaning is the same.

The king comforts the officials and the women in the palace; the officials comfort the elders in the house and the younger nephews. The king and the officials honor their parents, wives, and eldest sons, but not their concubines; the scholars honor their parents, wives, eldest sons, and concubines. If a concubine has a son, the parents do not honor his corpse. In all cases of honoring corpses, the parents are honored first, and the wife and children are honored later. The king honors his ministers, the parents hold their sons, the son honors his parents, the wife serves her uncles and aunts, the uncles and aunts honor their wives, the wife holds her husband, and the husband holds his wife and his brothers. Honoring corpses is not the place for the king. In all cases of honoring corpses, one must jump.

Wang Pingzi wrote to someone, saying of his son: "The morale is improving day by day, which is enough to relieve people's worries."




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