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When Huan Nanjun was a child, he and his brothers raised geese and fought together. The geese in Nanjun were always inferior to him, and he was very angry. That night he went to the goose pen, took all the brothers' geese and killed them. At dawn, all the family members were frightened, thinking it was a strange thing, and they rode in a white carriage. The cavalry said, "There is nothing to be surprised about. It must be a joke from Nanjun!" When asked, it turned out to be true.

Quick Wear: The Demon Concubine Bravely Fights the Little Tyrant

The pickled beans are the harmonious air of aquatic plants; the meat is produced on land. The beans are produced on land; the meat is aquatic. The offerings of the bamboo baskets and beans are the products of the water and soil. We dare not use the usual vulgar food and value the rich food. This is the meaning of communicating with the gods, not the way of eating. The offerings of the former kings can be eaten but not used. The crown and carriage can be displayed but not liked. The military is strong, but not enjoyable. The majesty of the ancestral temple, but it cannot be ignored. The vessels of the ancestral temple can be used but not used for their own benefit. The reason for communicating with the gods and spirits should not be the same as the meaning of comfort. The beauty of wine and liquor, the preference for dark wine and bright water, is the origin of valuing the five flavors. The beauty of embroidery and the preference for sparse cloth are the beginning of women's work. The comfort of the bamboo mat and the preference for the quilt are the light. The big soup is not harmonious, it is the value of its quality. The big jade is not polished, it is the beauty of its quality. The beauty of the red lacquer carved table and the plain carriage are the respect for its simplicity and the value of its quality. The reason for communicating with the gods and spirits should not be the same as the meaning of comfort. Only in this way can it be appropriate. The odd shapes of the tripod and the even shapes of the dishes and the yin and yang are the meaning of yin and yang. The yellow eyes are the supreme respect of the depressed qi. Yellow means the middle; eyes are the clear and bright qi. It means to pour in the middle and be clear and bright outside. To offer sacrifice to the heaven, sweep the ground and offer sacrifice there, it is the quality. The beauty of pickled meat and salt, and the popularity of salt, are because they are produced by nature. The use of a knife and the value of a phoenix knife are because of their righteousness. The sound is harmonious before it can be cut.

Wife, I lose

The Master said: "If the ministers are not close to the people, the people are not at peace, then loyalty and respect are insufficient, and wealth and honor are excessive; if the ministers are not governed, the close ministers will be in competition. Therefore, the ministers must be respected, which is the model of the people; the close ministers must be cautious, which is the way of the people. The king should not make small plans for big things, do not talk about the near with the far, and do not make plans for the outside with the inside, then the ministers will not complain, the close ministers will not be angry, and the distant ministers will not be blinded. The Duke of She said in his last words: "Do not ruin big things with small plans, do not anger Queen Zhuang with favorite concubines, and do not anger Zhuangshi, the officials, and the ministers with favorite concubines. '"

The Spring of Cannon Fodder Attack

Halfway Love

Meng Wannian and his younger brother were orphaned at a young age and lived in Yangxin County, Wuchang. Wannian traveled around and was famous in his time, but he was orphaned and had never left the house. People in the capital wanted to see him, so they sent a letter to the orphan, saying, "My brother is seriously ill." Arrived in the capital in a panic. All the wise men of the time who saw him sighed and said to each other, "If a young orphan is like this, he will die in ten thousand years."

Dear Margaret

The etiquette of mourning is that if one is thin and emaciated, one's appearance will not be affected, and one's sight and hearing will not be impaired. One should not ascend or descend by the steps on the east side, and one should not enter or leave through the tunnels. The etiquette of mourning is that if there is a wound on the head, one should wash it, if there is an ulcer on the body, one should bathe it, if one is sick, one should drink wine and eat meat, and when the illness stops, one should return to the original state. If one cannot bear the mourning, it is like being unkind and unfilial. At fifty, you will not be ruined; at sixty, you will not be ruined; at seventy, you will only wear mourning clothes, drink wine, eat meat, and stay at home. Life and the future, death and the past. Those who know life mourn, and those who know death are sad. Those who know life but not death mourn but are not sad; those who know death but not life are sad but not mourn. When mourning, you cannot give a gift, and do not ask how much it costs. When asking about illness, you cannot leave it, and do not ask what it wants. When meeting someone, you cannot stay at the house, and do not ask where it lives. Those who give gifts do not say "come and take". Those who give to others do not ask what they want. When visiting a grave, do not climb the ridge, and when helping with the burial, you must hold the rope. Do not smile at a funeral. When bowing to someone, you must go against your position. Do not sing when looking at the coffin. Do not fly when entering. Do not sigh when eating. When a neighbor dies, do not pound the mortar together. When there is a funeral in the village, do not sing in the alley. Do not sing when visiting a grave. Do not sing on the day of mourning. Do not take the shortcut when sending off a funeral, and do not avoid muddy roads when sending off a funeral. When facing a funeral, one must have a sad look, hold a rope and do not smile, and when facing music, one must not sigh; when wearing armor, one must have an expression of being untouchable.