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Then why is it three years? Answer: The closest relatives are separated by a period. Why is that? Answer: The heaven and earth have changed, the four seasons have changed, and everything in the heaven and earth has been renewed, so it is a symbol. Then why is it three years? Answer: It is to add more, so why double it, so it is a double period. Why is it from September to below? Answer: Why not make it less than that. Therefore, three years is a period of mourning, a small mourning is a period of mourning, and a period of nine months is a period of mourning. Take the image from the sky above, the law from the earth below, and the example from people in the middle, and the principle of human beings living together and in harmony is complete. Therefore, the three-year mourning is the most elegant of human nature, and this is called the most solemn. This is the same for all kings, and the same for ancient and modern times, but no one knows where it comes from. Confucius said: "After three years of life, one can escape from the embrace of parents; the three-year mourning is the most common mourning in the world."

When holding the emperor's utensils, one should put on the balance, the king should balance, the great officials should rein it, and the scholars should carry it.

The gentleman said: Rituals and music cannot be separated from the body for a moment. Use music to regulate the mind, and the heart of Yi Zhi Zi Liang will arise naturally. The heart of Yi Zhi Zi Liang arises, then happiness, happiness, peace, longevity, longevity, heaven, heaven, God. Heaven is trustworthy without words, and God is majestic without anger. It is the way to regulate the heart with music. To regulate the body with propriety is to be solemn and respectful, and solemn and respectful is to be stern and majestic. If the heart is not harmonious and happy for a moment, then the heart of contempt and deceit will enter it. If the appearance is not solemn and respectful for a moment, then the heart of arrogance will enter it. Therefore, music is what moves the heart; propriety is what moves the outside. When music is extremely harmonious and propriety is extremely smooth, when the inside is harmonious and the outside is smooth, then the people will look at their faces and not argue with them; when they look at their appearance, the people will not be arrogance. Therefore, when virtue moves inwardly, the people will all listen to it; when reason is expressed in the outside, the people will all obey it. Therefore, it is said: To promote the way of propriety and music, to raise and arrange them, there will be no difficulty in the world. Music is what moves the heart; propriety is what moves the outside. Therefore, propriety is the main thing to reduce, and music is the main thing to increase. When propriety is reduced, it will advance, and it will be cultured by advancing; when music is full, it will return, and it will be cultured by returning. If rituals are reduced but not improved, they will be lost; if music is full but not restored, it will be lost; therefore, rituals have rewards and music has replies. If rituals are rewarded, then there will be joy; if music is restored, then there will be peace; the rewards of rituals and the replies of music are the same. Music is joy, which is something that human nature cannot avoid. Music must be expressed in sound and manifested in movement and stillness. This is the way of man. Sound, movement and stillness, the changes of nature and skills, are all here. Therefore, people cannot stand without music, and music cannot stand without form. If it is manifested but not in the way, it cannot stand without chaos. The ancient kings were ashamed of chaos, so they created the sounds of Ya and Song to guide them, so that their sounds were enough to make people happy but not flowing, their texts were enough to discuss but not stop, and their rhythms were enough to move people's good hearts. Not to let the mind be disturbed and evil spirits come in contact, this is the way the ancient kings established music. Therefore, in the ancestral temple, when the ruler and his subjects listen to music together, everyone will be harmonious and respectful; in the clan leaders and the village, when the elders and the young listen to music together, everyone will be harmonious and obedient; in the inner chambers, when fathers and sons and brothers listen to music together, everyone will be harmonious and close. Therefore, music is to determine harmony by examining one thing, to embellish rhythm by comparing things; to form a text by combining rhythm. This is how the fathers and sons, rulers and subjects are united, and the people are close. This is the way the ancient kings established music. Therefore, listening to the sounds of Ya and Song, one's mind will be broadened; holding the halberd and the shield, practicing the bending and stretching, one's appearance will be dignified; performing the omens and grasping the rhythm, the ranks will be straight, and the advance and retreat will be orderly. Therefore, music is the will of heaven and earth, the discipline of harmony, and human nature cannot avoid it. Music is how the ancient kings embellished their joy, and the military halberds were how the ancient kings embellished their anger. Therefore, the joy and anger of the ancient kings were all in harmony. When they were happy, the world was in harmony, and when they were angry, violent and rebellious people were afraid. The way of the ancient kings was full of rituals and music.

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Seven Lives Awakening

Bao Yimao

In the past, the Youyu clan valued virtue and respected age.

After entering the book, I agreed to marry the second male lead

Wu Bingchun

Wang Ling went to see Xie Gong, and found Xi Zaochi was already sitting there, so he was supposed to lie on the same couch with him. The king wandered around without sitting down, so the duke invited him to sit on the couch opposite him. After he left, he said to Hu'er, "Zi Jing is indeed upright and honest, but people are too proud of you, which really damages his naturalness."

Love Story in S City

Zhang Jia Junfeng

The mourner sits to the west of the gate, facing east; the intermediary is to the southeast, facing north and west, west of the gate. The host faces west. The minister receives the order and says, "I have sent someone to ask for something." The guest says, "My king has sent someone, how can it be wrong!" The minister goes in and reports, and comes out saying, "I have to go. "The mourners come in, and the host goes up to the hall, facing west. The mourners go up from the west steps, facing east, and say to the king: "My king heard of your death. My king appointed someone. How could it be wrong!" Zi bowed and kowtowed, and the mourners went down and returned to their seats. The bearer held the jade and was about to give orders, saying: "My king appointed someone to hold it." The assistant came in to report, and came out and said: "I am going to die." The bearer came in, went up to the hall, and gave orders. He bowed again and kowtowed. The bearer sat on the southeast side of the coffin, with a reed mat; after the burial, there was a cattail mat. He went down, went out, and returned to his seat. The prime minister put on court clothes, that is, mourning shoes, and went up from the west steps, facing west, and sat to take the jade, and went down from the east of the west steps. The cloaker said: "My king appointed someone to hold it." The assistant came in to report, and came out and said: "I am going to die." The cloaker held the crown and robes; the left held the collar, and the right held the key. He went in, went up to the hall, and said to the king: "My king appointed someone to hold it." "The son bows and kowtows. He leaves his clothes on the east side of the coffin. The attendant of the coffin steps down and receives the robes and caps of nobility at the gate. When he is about to give orders, the son bows and kowtows as before. He receives the leather caps and caps in the middle courtyard. He receives the court robes at the west steps and the black robes at the hall. When he is about to give orders, the son bows and kowtows as before. The attendant of the coffin steps down, goes out and returns to his seat. Five ministers carry him to the east. He descends from the west steps. They also carry him facing west. He presents the gift: holding the jade tablet and giving orders, he says, "My king has ordered me to present the gift." The prime minister goes in to report and returns with the order, saying, "I am gone." "The carriage of a yellow horse was arranged along the main road in the middle courtyard, with the chariot pointing north. Holding the jade tablet, the emperor was about to give orders. The guests and messengers came down from the west along the road. The son bowed and kowtowed, and sat down at the southeast corner of the coffin. The chief minister stood to the east. Whenever an order was to be given, the son bowed and kowtowed. He sat facing west and gave it to the emperor. The chief minister held up the jade tablet and the jade tablet, and the chief minister held up the robe, and they went up from the west steps, facing west, sat down to take them, and went down from the west steps. The bearer of the coffin went out and sat back outside the door. The guest of honor came in and said, "My king has matters to attend to at the ancestral temple, so he cannot serve. He has sent an old man to hold the sash." The bearer returned and said, "I will be gone." The person who came in entered the door on the right, and the bearers followed him and stood to the east of him on the left. The clan members received the guests, went up, and received the order from the king; when they came down, they said, "I dare not accept the humiliation of my son, and ask for your restoration." The guest replied, "My king has ordered me not to look at the guests, so I refuse. "The clan member replied, "I dare to firmly refuse the humiliation of my son and ask for your restoration." The guest replied, "My king ordered me not to look at the guests, so I dare to firmly refuse." The clan member replied, "I dare to firmly refuse the humiliation of my son and ask for your restoration." The guest replied, "My king ordered me not to look at the guests, so I dare to firmly refuse. I refused but was not ordered, so I dare not disrespectfully obey. "The guest stood on the west side of the gate, and the assistant stood on his left, going up to the east. The sovereign descended from the steps of the east, bowed, and cried, and danced three times with the guest. The guest left and sent him outside the gate, bowing and bowing his head.

My mortal enemy wants me to marry him

Zhang Jianruxiang

He Yan was the Minister of Personnel and held a prestigious position. His room was always filled with guests for conversation. Wang Bi, who was not yet twenty years old, went to see him. Yan heard of Bi's name, so he cited the superior theory of the previous one and said to Bi: "I think this theory is the best, can you challenge it again?" Bi then challenged, and everyone in the room thought he was inferior. So Bi acted as the host and the guest several times, but each time he was better than others.

Your shadow is light

Wuma Peijun

Xie Gong said to Xiao Bo: "Your ancestors were comparable to Liu Yin, so they were able to catch up." Xiao Bo said: "It's not that Liu Yin couldn't catch up, it's just that he didn't catch up."

The world's richest lady

Jie Bing Jun

Pei Linggong looked at Xiahou Taichu: "He was solemn and awe-inspiring, like entering a temple. He did not practice respect but people showed respect to him." Yi said: "It was like entering an ancestral temple, where one could hear the sounds of ritual instruments. Seeing Zhong Shiji was like looking into an armory, where one could see spears and halberds. Seeing Fu Lanshuo was like looking at the Jiang Palace. Seeing a huge source on a mountain was like climbing a mountain and looking down, where it was deep and secluded."

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