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Wang Dongting's conversation with Xiaobo gradually became different. Xiao Bo said to Dong Ting: "You are unpredictable!" He replied: "Wang Ling argued in the court, Chen Ping remained silent, but I only want to know how to win in the end."
Yu Zhonglang and Wang Pingzi flew in a flying geese formation.
Therefore, in ancient times, the emperor had a system that the princes offered tribute to the emperor every year, and the emperor tested them in the archery palace. Their appearance was comparable to the ritual, and their etiquette was comparable to the music. If they hit the target more, they could participate in the sacrifice. If their appearance was not comparable to the ritual, and their etiquette was not comparable to the music, and they hit the target less, they could not participate in the sacrifice. If they participated in the sacrifice more, the king would celebrate; if they did not participate in the sacrifice, the king would give way. If there were celebrations, the land would be increased; if there were ways of giving way, the land would be reduced. Therefore, it is said: Archery is for the princes. Therefore, the princes, the rulers and the ministers devote their efforts to archery to learn rituals and music. There has never been a ruler and the ministers who practiced rituals and music and then went into exile.
Yu, the staff shall not be brought into the room; bu, the staff shall not be raised in the hall. If you are the descendant of the monarch's mother, when the monarch's mother dies, you shall not wear the party clothes of the monarch's mother. The sash shall be reduced by one-fifth and the staff shall be as big as the sash. If a concubine is the eldest son of the monarch, she shall be treated the same as the daughter of the monarch. When the mourning is over, the heavier one is worn first; when the mourning is changed, the lighter one is changed. The temple gate is opened for no reason. All mourning is done in the next place. The inscription is written again, and the words are the same from the emperor to the scholar. Men are called by their names, and women write their surnames and their brothers and sisters. If the surname is unknown, they write their clan names.
Pei Xia was at Zhou Fu's place, and Fu appointed him as the host. Xia played chess with others, and Fu served wine to Sima. Xia Zheng played and drank from time to time. Sima was angry and dragged Xia to the ground. Xia returned to his seat, behaving as usual, with no change in expression, and playing as usual. Wang Yifu asked Xia, "Why did your complexion remain the same at that time?" Xia replied, "It was simply because it was dark."
Kong Wenju had two sons, the elder one was six years old and the younger one was five years old. While his father was sleeping during the day, the younger one would steal wine from the bedside and drink it. The eldest son asked, "Why don't you bow?" He replied, "I stole, so how can I bow?"
Grand Marshal Huan wanted to hunt in the snow and first obtained permission from Wang, Liu and others. Zhen Chang saw that he was dressed in a simple and hasty manner, and asked, "What do you want to do with this, old villain?" Huan said, "If I didn't do this, why would you sit here and talk?"
At first, there were dozens of people who annotated Zhuangzi, but none of them could understand its main points. Xiang Xiu explained the meaning beyond the old annotations, with wonderful and unique analysis, and promoted the mysterious style. Only the two poems "Autumn Water" and "Supreme Joy" were not completed when Xiu died. When Xiuzi was young, Yi died, but there is still another copy. Guo Xiang was a man of mean conduct but with great talent. Seeing that Hideyoshi's work was not passed down to the world, I secretly took it as my own. He added his own annotations to the two chapters "Autumn Water" and "Supreme Joy", and changed the chapter "Horse's Hoof". As for the rest of the chapters, he only added some fixed sentences. Later, Xiu Yi wrote a different version, so now there are two Zhuangs, Xiang and Guo, but the meaning is the same.
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