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Wang Shuang was drinking with Sima Taifu. The Grand Tutor was drunk and called the king "boy." The king said, "My late grandfather, the Chief Secretary, was a friend of Emperor Jianwen. My late aunt and sister were married and had two concubines. How can they be called boys?"
Wang Zijing said: "Going up the Shanyin Road, the mountains and rivers complement each other, making people overwhelmed. In autumn and winter, it is especially difficult to be damaged."
Zhong Hui was Xun Ji's northern cousin, and the two had a bad relationship. Xun had a precious sword that was worth a million dollars and was always kept by his mother, Lady Zhong. Hui was good at calligraphy and imitated Xun's handwriting. He wrote a letter to his mother asking for the sword, but the mother still stole it and never returned it. Xun Xu knew that it was Zhong but had no way of getting it, so he thought about how to repay him. Later, the Zhong brothers spent tens of millions to build a house. When it was completed, it was very magnificent, but they were not allowed to move in. Xun was very good at painting, so he secretly went to paint the Zhongmen Hall, making the image of the Taifu, with his clothes and appearance as he usually is. When the second bell sounded inside, he was filled with grief and the house became deserted.
Therefore, in ancient times, the emperor selected princes, ministers, officials, and scholars by archery. Archery is a man's business, and therefore it is decorated with rituals and music. According to the history, if you can do it well, there is nothing better than archery to establish virtue, so the sage kings are committed to it.
When Wang Fusi was still young, he went to see Pei Hui. Pei Hui asked him, "Nothingness is the source of all things, but sages are unwilling to talk about it. But Laozi keeps talking about it. Why is that?" Bi said, "Sages embody nothingness, and nothingness cannot be taught. So when they talk about something, they must also talk about something. Laozi and Zhuangzi were not immune to something, and they always taught about what was lacking."
When Gu Changkang painted people, he might not be able to paint their eyes well for several years. People asked why? Gu said: "The beauty of the body is irrelevant; the essence of the portrayal lies in the details."
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