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Gu Changkang is good at drawing human figures. He wanted to capture Yin Jingzhou, but Yin said, "I am ugly, so don't bother me." Gu said, "You are the eyes of the wise magistrate. Just point out the boy and use flying white brush to make it look like a light cloud covering the sun."
When Wang Changshi was seriously ill, he lay under the stirrup, turned the whisk to look at him, and sighed, "A man like him will never live to be forty!" When he died, Liu Yin came to the funeral and stuck the whisk with a rhinoceros horn handle into the coffin, and was heartbroken.
Han Kangbo was ill and was shaking with the help of a cane. Seeing that all the Xies were rich and powerful, and were hiding in the streets, he sighed and said, "How is this different from the time of Wang Mang?"
Zhong Yu was a Huangmen Lang. He was alert and was at the banquet with King Jing. At that time, Xuanbo, the son of Chen Qun, and Yuanxia, the son of Wu Zhou, were sitting together and they laughed at Yu. King Jing asked, "What kind of person is Gao Yao?" He replied, "He is a virtuous man in ancient times." Turning back to Xuanbo and Yuanxia, he said, "A gentleman is inclusive but not partial, and he is a group but not a party."
Therefore, the rite of audience is to clarify the righteousness between the monarch and the ministers. The rite of marriage is to make the princes respect each other. The rite of funeral and sacrifice is to clarify the grace of the ministers. The rite of drinking in the village is to clarify the order of the elders and the young. The rite of marriage is to clarify the difference between men and women. Rites are the source of restraint and chaos, just like the source of water in the village. Therefore, those who destroy the old temple because they think it is useless will surely be destroyed by water; those who destroy the old ritual because they think it is useless will surely be destroyed by water.
Therefore, "The Book of Songs" says: "The great-grandson of the marquis family, the four correct ones are all raised; the great officials and the gentlemen, all the common people, small and big, are in the king's place, and they are entertained and arched, and then they are praised." It means that the ruler and the ministers devote their efforts to archery to learn rituals and music, and then they are safe and praised. Therefore, the emperor regulates it, and the princes are responsible for it. This is why the emperor supports the princes, and the soldiers are not used, and the princes are the tools for correcting themselves.
Someone asked: "What is the cane for?" The answer is: a filial son who has lost his parents cries countless times, serves for three years, and becomes sick and thin, so he uses a cane to support the sick. If the father is still alive, he dare not use a cane, because the respected person is still alive; he does not use a cane in the hall, because he avoids the respected person's place; he does not rush in the hall, because he is not in a hurry. This is the will of a filial son, the reality of human nature, and the principle of etiquette and righteousness. It does not come from heaven or earth, but is just human nature.
During the Zhengshi period, people compared and debated, and ranked the Five Xuns against the Five Chens: Xun Shu was against Chen Shi, Xun Jing was against Chen Chen, Xun Shuang was against Chen Ji, Xun Yu was against Chen Qun, and Xun Xi was against Chen Tai. There are also eight Peis and eight kings: Pei Hui is the counterpart of Wang Xiang, Pei Kai is the counterpart of Wang Yi Fu, Pei Kang is the counterpart of Wang Sui, Pei Chuo is the counterpart of Wang Cheng, Pei Zan is the counterpart of Wang Dun, Pei Xia is the counterpart of Wang Dao, Pei Wei is the counterpart of Wang Rong, and Pei Miao is the counterpart of Wang Xuan.
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