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Pei Linggong looked at Xiahou Taichu: "He was solemn and awe-inspiring, like entering a temple. He did not practice respect but people showed respect to him." Yi said: "It was like entering an ancestral temple, where one could hear the sounds of ritual instruments. Seeing Zhong Shiji was like looking into an armory, where one could see spears and halberds. Seeing Fu Lanshuo was like looking at the Jiang Palace. Seeing a huge source on a mountain was like climbing a mountain and looking down, where it was deep and secluded."
The way of heaven is the highest teaching, and the sage is the highest virtue. Above the temple hall, the Lei Zun is in the east, and the Xi Zun is in the west. Below the temple hall, the Xian Gu is in the west, and the Ying Gu is in the east. The king is in the east, and the lady is in the room. The sun is born in the east, and the moon is born in the west. This is the division of yin and yang, and the position of husband and wife. The king drinks from the Xi Xiang in the west, and the lady drinks from the Lei Zun in the east. The interaction of rituals moves above, and the interaction of music responds to below, which is the ultimate harmony. Rituals are to reflect what they are born from; music is to enjoy what they are made from. Therefore, the ancient kings established rituals to regulate affairs and cultivate music to guide their will. Therefore, by observing their rituals and music, we can know whether they are in order or not. Qu Boyu said: "A gentleman is a man of great ability, so by observing his utensils, we can know his skill; by observing his hair, we can know his wisdom." Therefore, it is said: "A gentleman is careful about what he gives to others."
Six rituals: capping, marriage, mourning, sacrifice, hometown, and meeting. Seven teachings: father and son, brothers, husband and wife, monarch and minister, elder and younger, friends, and guests. Eight policies: food, clothing, work, differences, measurement, quantity, number, and system.
Yin Jingzhou had some knowledge and wrote a fu, which was similar to Shu Xi's slow play. Yin thought he was talented and said to Wang Gong, "I just saw a new article, it's very interesting." He then took it out of the handkerchief box. When the king read it, Yin couldn't help laughing. After the king had looked at it, he neither laughed nor expressed his likes or dislikes. He just pasted it with his wish. Yin felt lost.
Do not pull the coming, do not report the past, do not blaspheme the gods, do not follow the wrong, do not predict the unknown. Scholars rely on virtue and enjoy art; workers rely on law and enjoy persuasion. Do not criticize clothes and tools, do not be pedantic of words. The beauty of words is solemn and majestic; the beauty of the court is full of people; the beauty of sacrifice is orderly and majestic; the beauty of carriages and horses is not timid; the beauty of phoenixes is solemn and peaceful. Ask the king's sons, the elder one says: "He can follow the affairs of the state"; the younger one says: "He can control" or "He can't control". When asked about the age of a senior official's son, if he is older, he will say, "He can follow the music of the musicians"; if he is younger, he will say, "He can be correct in the music of the musicians" but he cannot be correct in the music of the musicians". When asked about the age of a scholar's son, if he is older, he will say, "He can plough the fields"; if he is younger, he will say, "He can carry firewood" but he cannot carry firewood. He cannot walk when holding a jade or tortoise shell, nor when he is in the hall or on the city wall. He cannot walk in a military carriage; the intermediary cannot bow.
Chen Zhongju once sighed and said: "People like Zhou Ziju are truly capable of governing a country. If compared to a precious sword, he is the best of the world."
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