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King Wen of Jin praised Ruan Sizong as extremely cautious. Whenever he spoke to him, his words were profound and far-reaching, and he never praised or criticized anyone.
Do not talk about music in mourning, do not talk about bad things during sacrifices, and do not talk about women in public courts.
When Xu Yuan was young, people compared him to Wang Gouzi, which made Xu very upset. At that time, many people and Master Yu were giving lectures at the West Temple in Kuaiji, and the king was also there. Xu Yi was very angry, so he went to the West Temple to discuss the pros and cons with Wang. The king was deeply humiliated after being so frustrated. Xu Fu held Wang's position, and Wang held Xu's position, and they exchanged letters with each other; Wang was again submissive. Xu said to Master Zhi: "What did your disciple say just now?" Zhi said calmly: "Your words are good, but why do you have to be so bitter? This is not a talk about seeking the truth!"
Fan Yuzhang said to Wang Jingzhou: "You are a man of great talent and vision, a real talent of the future." Wang said: "Without such an uncle, how could I have such a nephew?"
When Liu Qingsun was in the Taifu Mansion, he was framed by many people of the time. Only Yu Zisong was so absorbed in worldly affairs that he had no time to rest. Later, because he was frugal by nature and had a wealthy family, he persuaded the Grand Tutor to exchange it for tens of millions, hoping that the emperor would be stingy and he could take advantage of it. The Grand Tutor asked Yu in front of everyone. Yu was drunk at the time, with his cap falling on the table. He put his head to pick it up and replied slowly, "I have two or three thousand shawls at home. You can take whatever you want." Then he obeyed. Later, someone told Yu about this, and Yu said, "It can be said that one is using the concerns of a villain to judge the heart of a gentleman."
At first, there were dozens of people who annotated Zhuangzi, but none of them could understand its main points. Xiang Xiu explained the meaning beyond the old annotations, with wonderful and unique analysis, and promoted the mysterious style. Only the two poems "Autumn Water" and "Supreme Joy" were not completed when Xiu died. When Xiuzi was young, Yi died, but there is still another copy. Guo Xiang was a man of mean conduct but with great talent. Seeing that Hideyoshi's work was not passed down to the world, I secretly took it as my own. He added his own annotations to the two chapters "Autumn Water" and "Supreme Joy", and changed the chapter "Horse's Hoof". As for the rest of the chapters, he only added some fixed sentences. Later, Xiu Yi wrote a different version, so now there are two Zhuangs, Xiang and Guo, but the meaning is the same.
When mourning clothes are worn, the crying is like going out but not turning back; the crying of mourning clothes is like going out and turning back; the crying of mourning clothes for the great merit is three bends and then folded; the mourning clothes for the small merit and the mourning clothes are acceptable. This is the expression of sorrow in the voice.
When Liu Lingyan first entered Luoyang, he saw many famous scholars and sighed, "Wang Yifu is too wise, I respect Le Yanfu, but I don't understand Zhang Maoxian, Zhou Hongwu is good at using his shortcomings, and Du Fangshu is clumsy at using his length."
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