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Liu Zhenchang talked with Yin Yuanyuan. Liu Li was a little defeated. Yin said, "Oh, you don't want to be a general who is good at attacking from above with ladders."
At first, there were dozens of people who annotated Zhuangzi, but none of them could understand its main points. Xiang Xiu explained the meaning beyond the old annotations, with wonderful and unique analysis, and promoted the mysterious style. Only the two poems "Autumn Water" and "Supreme Joy" were not completed when Xiu died. When Xiuzi was young, Yi died, but there is still another copy. Guo Xiang was a man of mean conduct but with great talent. Seeing that Hideyoshi's work was not passed down to the world, I secretly took it as my own. He added his own annotations to the two chapters "Autumn Water" and "Supreme Joy", and changed the chapter "Horse's Hoof". As for the rest of the chapters, he only added some fixed sentences. Later, Xiu Yi wrote a different version, so now there are two Zhuangs, Xiang and Guo, but the meaning is the same.
In the funeral of a king, if there is no small burial, he will leave as a guest of the duke; in the funeral of an official, if there is no small burial, he will leave at the order of the king; in the funeral of a scholar, he will leave without burial for an official. Whenever the host leaves, he goes barefoot, with his hem tied to his waist and his heart beat, and descends from the west steps. The king bows to the guest of state and the minister of honor at his seat; the minister, at the king's order, meets him outside the bedroom door; the messenger goes up to the hall to tell the death, and the host bows below; the scholar cries with the minister in person; he does not go against the door, the lady goes out for the lady of the king, the lady goes out for the lady's order, and the scholar's wife should not be buried, so the lady goes out.
When Shi Liu’s mother died, the minister was on the left. When Shi Liu died, his followers were on the right. The minister was on the right because Shi Liu’s followers did it.
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