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When hearing about the death, one cannot go to the funeral, so he cries to the utmost; when asked why, he cries to the utmost again. Then he takes his seat, ties his hair and exposes his clothes, dances, and wears a sash and a belt to take his seat, bows to the guest and returns to his seat, dances. When the guest leaves, the host bows and sees him off outside the door, and returns to his seat; if there are guests who arrive later, he bows to them and dances, and sees them off as before. When he cries again, he ties his hair and exposes his clothes, dances. When he cries for the third time, he ties his hair and exposes his clothes again and dances. After three days, he is in mourning. After the fifth time, he bows to the guest and sees him off as before. If he returns after the funeral, When the host goes to the tomb, he cries and dances, pulls his hair to the east and exposes his mourning clothes, bows to the guests and dances, sends the guests back to their seats, cries and mourns until he has finished his work, then removes his clothes, and does not cry at home. The host does not change his clothes when treating the host, cries with him, and does not dance. From the age of mourning below, the difference is that he does not wear mourning clothes.

Xi Chao and Xie Xuan were not on good terms. When Fu Jian was about to challenge the Jin throne, he had already devoured Liang and Qi like a wolves, and was now eyeing Huaiyin like a tiger. At that time, the court discussed sending Xuan to the north to fight, and there were many different opinions among people. Wei Chao said: "This will surely help. I once worked with him in Huan Xuanwu's office and saw that all talents were used to the fullest, and even those who were just clogs were given the job. Judging from this, Rong will surely be able to achieve great success." After Yuan Gong was accomplished, people at that time all admired Chao's foresight and respected his ability to not hide his kindness due to love and hate.

General Wang said of the Grand Commandant: "He is like a pearl among the crowd, among the tiles and stones."

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God of Urban Craftsmen

Nara Jie

There are four seasons for sacrifice: spring sacrifice is called "礿", summer sacrifice is called "禘", autumn sacrifice is called "常", and winter sacrifice is called "朕". "礿" and "禘" are yang meanings; "常" and "朕" are yin meanings. "禘" is the prosperity of yang, and "常" is the prosperity of yin. Therefore, it is said that nothing is more important than "禘" and "常". In ancient times, during the sacrifice, the officials gave out titles and clothes, which was in accordance with the righteousness of the Yang. During the harvest, the officials gave out fields and towns, and issued autumn policies, which was in accordance with the righteousness of the Yin. Therefore, it is recorded: "On the day of harvest, the public office was given out to show the reward; the moxa was used as ink; before the autumn policies were issued, the people dared not to harvest." Therefore, it is said that the righteousness of the sacrifice and the harvest is great. It is the foundation of governing a country, and it is important not to be ignorant of it. The ruler is clear about the righteousness, and the minister is capable of his duties. If the ruler is not clear about the righteousness, he is not perfect; if he is not capable of his duties, he is not perfect as a minister. Righteousness is the way to help the will, and it is the manifestation of all virtues. Therefore, those whose virtues are strong have strong wills; those whose wills are strong have clear righteousness. Those whose righteousness is clear have respect in their sacrifices. If the sacrifices are respectful, then all the descendants of the family will dare not be disrespectful. Therefore, when a gentleman sacrifices, he must personally attend; if there is a reason, he can send others. Even if he sends others, the ruler does not lose his righteousness, because the ruler understands his righteousness. Those who are of low virtue and low ambition are doubtful about the righteousness and ask for sacrifices. If they are forced to be respectful, they cannot help it. If you offer sacrifices without respect, how can you be the parents of the people? The tripod has an inscription. The inscription is a self-name. The self-name is used to praise the goodness of the ancestors and to make it clear to future generations. Those who are ancestors have both good and bad things. The meaning of the inscription is to praise the good and not the bad. This is the heart of filial sons and grandsons. Only virtuous people can do this. The inscription is to discuss the virtues and goodness of the ancestors, their merits and achievements, and to celebrate and reward their reputations throughout the world and to use them as sacrificial vessels; to make a name for oneself and to worship the ancestors. To praise the ancestors is to honor filial piety. To compare oneself with them is obedience. To show future generations clearly is teaching. The inscription is to name them once and everyone above and below will benefit from it. Therefore, when a gentleman looks at the inscription, he should not only praise what is said, but also praise what is done. Those who do it, who are clear enough to see it, kind enough to give it, and knowledgeable enough to benefit it, can be called virtuous. Virtuous but not boastful, can be called respectful. Therefore, the inscription on the tripod of Kong Kui of Wei reads: On the 19th day of the sixth month, the Duke was in the Great Temple. The Duke said: "Uncle! This is the ancestor Zhuang Shu, who was on the left and right of Cheng Gong. Cheng Gong ordered Zhuang Shu to follow the refuge in Hanyang, and then to the palace in Zong Zhou, and ran without shooting. He told the right Xiang Gong. Xiang Gong ordered Cheng Shu to inherit the ancestors' clothes. This is the father of Wen Shu, who revived the old wishes of the elders, led the celebration of the people, and personally cared for the state of Wei. He was diligent in the public family, working day and night without rest, and the people all said: "Relax!" The Duke said: "Uncle! Let me engrave for you: If you inherit, you will be respected." Kui bowed his head and said: "I praised it to avoid it, and I was diligent in the great destiny of the Ding." This is the inscription on the tripod of Kong Kui of Wei. The ancient gentlemen discussed the virtues of their ancestors and made them clear to future generations. They compared themselves to themselves and valued their country like this. The descendants who guard the ancestral temples and the altars of the land and state, if their ancestors have no merits and praise them, it is a falsehood; if they have good things but do not know them, it is not clear; if they know them but do not pass them on, it is not benevolent. These three are what gentlemen are ashamed of. In the past, Duke Zhou had made great contributions to the world. After Duke Zhou died, King Cheng and King Kang remembered the merits of Duke Zhou and wanted to honor Lu, so they gave him a heavy sacrifice. The outer sacrifice is the suburban altar; the inner sacrifice is the great sacrifice. The great sacrifice, the song "Qingmiao" is sung in the upper part, and the "Xiang" is played in the lower part; the red stems and jade qi are used to dance "Dawu"; the eight-yi dance is used to dance "Daxia"; this is the music of the emperor. Duke Kang of Zhou, therefore, gave it to Lu. The descendants inherited it and it has not been abolished until now, so as to show the virtue of Duke Zhou and honor his country.

Heirloom

Mao Ding

Sun Xinggong served as a military officer of Yu Gong, and together they traveled to Baishishan. The Lord of Wei was present at the meeting. Sun said, "This boy has nothing to do with mountains and rivers, yet he can write essays." Lord Yu said, "Although the elegance of Wei is not as good as yours, his charm is not close either." Sun then followed his words.

I believed your lies!

Ouyang Yisi

Kang Sengyuan had deep eyes and a high nose, and Prime Minister Wang always adjusted him. Monk Yuan said: "The nose is the mountain of the face, and the eyes are the abyss of the face. If the mountain is not high, it will not be spiritual; if the abyss is not deep, it will not be clear."

Super Love: The Man from Hell

Su Wuzi

A gentleman knows the difficulty and ease of learning, and knows its beauty and ugliness, and then he can make extensive metaphors; if he can make extensive metaphors, he can be a teacher; if he can be a teacher, he can be a leader; if he can be a leader, he can be a king. Therefore, a teacher is for learning to be a king. Therefore, choosing a teacher must be careful. "Records" said: "Three kings and four generations only have their teachers." Is this what it means!

Back to the mountains and seas

Guo Dunzhang

Huan Xuan went west and entered Shitou. The outsider said, "Sima Liang Wang has fled and rebelled." Xuan had already made up his mind, and he played horns and drums on the carriage, and sang loudly, "The sound of flutes and pipes remains, where is Liang Wang?"

He's not my type.

Sikong Yuhui

Zhi Daoling created the Treatise on Color, and when it was completed, he showed it to Wang Zhonglang. Zhonglang was speechless. Zhi asked, "Can you understand it silently?" The king said, "Since there is no Manjusri, who can see and appreciate it?"

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