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Traveling through time and space to be your shikigami

Sacrifices should not be frequent, as frequent sacrifices will lead to trouble, and trouble will lead to disrespect. Sacrifices should not be frequent, as frequent sacrifices will lead to laziness, and laziness will lead to forgetfulness. Therefore, a gentleman should follow the way of heaven: Spring sacrifices and autumn tastings. When frost and dew have fallen, a gentleman will feel sad when walking on them, not because of the cold. In spring, when rain and dew have wetted, a gentleman will feel terrified when walking on them, as if he is about to see it. Music is used to welcome, and sorrow is used to send off. Therefore, there is music in the sacrifices but no music in the tastings. Bring harmony inside and disperse harmony outside. On the day of the sacrifices: think about where he lives, think about his laughter, think about his aspirations, think about what he enjoys, and think about what he likes. After three days of sacrifices, you can see what he has done for harmony. On the day of sacrifice: when entering the room, one must see the position; when going out of the door, one must hear the voice; when going out of the door, one must hear the sigh. Therefore, the filial piety of the ancient kings is that the color does not forget the eyes, the sound does not stop in the ears, and the desires of the heart do not forget the heart. If you love, it will be preserved; if you are sincere, it will be remembered. If it is preserved and not forgotten in the heart, how can you not be respectful? A gentleman respectfully supports when he is alive and respectfully offers sacrifices to his dead, thinking that he will not be humiliated throughout his life. A gentleman has a lifelong mourning, which is the meaning of the anniversary of the death. Not using the anniversary of the death is not a bad omen. On the day of the death, one's mind is to reach a certain point, but he dare not use his private interests to the fullest. Only the sage can offer sacrifices to the emperor, and the filial son can offer sacrifices to his parents. Offering sacrifices means to pay respect. After paying respect, one can offer sacrifices. Therefore, the filial son does not feel ashamed when he is in front of the corpse. The king leads the sacrifice, and the lady offers the bowl. The king offers the corpse, and the lady offers the rice. The ministers assist the king, and the women assist the lady. Be respectful, be loyal, and be happy. Don't be too eager to entertain. King Wen's sacrifice: treat the dead as if they were alive, think of the dead as if they didn't want to live, mourn on the anniversary of the death, and mention the taboo as if you saw your parents. The loyalty of the sacrifice is like seeing the loved ones of the parents, and like the desire to express it; is it King Wen? The Book of Songs says: "I wake up in the morning and can't sleep, I have two people in my mind." This is King Wen's poem. The day after the sacrifice, I wake up in the morning and can't sleep, and I offer it to the deceased, and then I think about it. On the day of the sacrifice, there is half joy and half sorrow; the feast must be joyful, and the arrival must be sorrowful.

When the Phoenix Comes

The etiquette of running to the funeral: When you first hear about the death of a relative, you should cry and express your sorrow; when you ask the reason, you should cry and express your sorrow again. Then you should go, and travel a hundred miles a day, not at night. Only when your parents die, you should go when you see the stars, and stop when you see the stars. If you can’t go, you should wear mourning clothes before going. When you pass through the country, you should stop crying when you have cried. Cry and open the market. When you look at the country, you should cry. When you get home, you should go in the left, ascend from the west steps, lie down in the east, sit facing west, cry and express your sorrow, tie your hair and expose your body, and go down to the east of the hall. The host takes his seat, faces west and cries, dances, and wears a mourning robe in the east of the order, twisting his belt. Return to his seat, bow to the guest, dance, see the guest off, and return to his seat; if there is a guest who arrives later, he bows to him, dances and sees off the guest as before. All the host's brothers go out, and stop crying when they go out; close the door, and the attendant tells them to take their turn. Cry again, pull up the hair and bare the body, dance; cry for the third time, pull up the hair and bare the body again, dance. After three days, complete mourning, bow to the guest and see off the guest as before.

Sweet Mom and Cute Baby Looking for Dad

Wait till you see me

All the learning of the crown prince and the scholars must be in season. In spring and summer, they learn to play the sword and spear, and in autumn and winter, they learn to play the feather and flute, all in the East Sequence. The minor music director learns the sword and spear, and the big official assists him. The flute master learns the spear and the flute master assistant assists him. The official plays the drum in the south. In spring, he recites and in summer, the master orders him. In autumn, Gu Zong learns the ritual, and the person in charge of the ritual orders him; in winter, he reads and the person in charge of the book orders him. The ritual is in Gu Zong, and the book is in Shangxiang. All the rituals of sacrifice, caring for the elderly, asking for words, and talking together are ordered by the minor music director in the East Sequence. The big music director learns to dance the sword and spear, speak, and ask for words, all of which are taught by the big music director, and the big official discusses and discusses in the East Sequence.

Liang Xiao has no suspicion

Xu Yuan once visited Jianwen. It was a windy and calm night with a bright moon, so they composed music and talked in the room. Expressing one’s inner thoughts is Xu’s forte. The words are clear and graceful, more than usual. Although Jianwen and he had always been in sync, this encounter was even more regrettable. Unconsciously they knelt down and spoke with their hands, and the conversation lasted until almost dawn. Then he said: "Xuan Du has great talent and sentiment, so it is not easy to give him many compliments."

The Abandoned Girl Reborn: The Demon Queen is Too Arrogant

When a person dies, he should not be idle for three days, and he should not be relieved for three months. He should be sad for three years, and he should be worried for three years - this is the killing of grace. The sage uses killing to control moderation, and this is why mourning lasts for three years. The wise should not go beyond the limit, and the unworthy should not fail to reach the limit. This is the mean of mourning, and it is what the king always does. The Book of Documents says: "Emperor Gaozong was lenient and did not speak for three years." This is good; all kings should follow this ritual. Why is it good for him alone? It is said: Emperor Gaozong was Wu Ding; Wu Ding was a wise king of the Yin Dynasty. He succeeded the throne and was kind and good at mourning. At this time, the Yin Dynasty declined and revived, and rituals were abolished and revived, so he did it well. Because it was good, it was recorded in the book and praised, so he was called Emperor Gaozong. During the three-year mourning, the king did not speak. The Book of Documents says: "Emperor Gaozong was lenient and did not speak for three years." This is what it means. However, those who say "speaking without culture" refer to the ministers.