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The ruler rolls up his crown and stands on the east side, while his wife stands in the room with a double-breasted robe. The ruler bares his body to welcome the sacrificial animal at the door; his wife offers a bean basket. The ministers and the great officials praise the king, and the women of the court praise the wives: each of them promotes his duties. When all officials are dismissed from their duties and serve severe punishments, the whole country will be greatly subdued. Therefore, the summer sacrifice, autumn tasting, winter sacrifice, spring festival, autumn review and the big wax are the emperor's sacrifices.
Taifu Xie said to Wang Youjun: "In middle age, I am hurt by sorrow and joy. When I say goodbye to my relatives and friends, I feel sick for several days." Wang said: "I am in my twilight years, so it is natural for me to be like this. I rely on music and calligraphy. I am always afraid that my children will notice it and ruin my joy."
Yu Zisong's poem He Qiao said: "They are as dense as thousand-foot-high pines. Although they are piled up, they have branches. If they are placed in a building, they can serve as pillars."
When Xie Renzu was eight years old, Xie Yuzhang was about to see off a guest. At that time, he had already attained enlightenment from his words and entered the upper stream. Everyone sighed and said, "He is the younger Yan Hui sitting here." King Renzu said, "Without Ni Fu sitting here, how can we distinguish Yan Hui?"
The great temple is the emperor's Mingtang. The storehouse gate is the emperor's Gaomen. The pheasant gate is the emperor's Yingmen. The sound of the wooden bell in the court is the emperor's policy. The mountain knots and the embroidery, the double eaves of the temple, the scraping of the pillars to reach the countryside, the reverse altar out of the vulture, the high altar Kanggui, and the sparse screens are the emperor's temple decorations.
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