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Lvqiu Chunshao 370涓囧瓧 470118浜鸿杩 杩炶浇

銆姽谀勰W耘耐蹬奈蘼胧悠点

All the learning of the crown prince and the scholars must be in season. In spring and summer, they learn to play the sword and spear, and in autumn and winter, they learn to play the feather and flute, all in the East Sequence. The minor music director learns the sword and spear, and the big official assists him. The flute master learns the spear and the flute master assistant assists him. The official plays the drum in the south. In spring, he recites and in summer, the master orders him. In autumn, Gu Zong learns the ritual, and the person in charge of the ritual orders him; in winter, he reads and the person in charge of the book orders him. The ritual is in Gu Zong, and the book is in Shangxiang. All the rituals of sacrifice, caring for the elderly, asking for words, and talking together are ordered by the minor music director in the East Sequence. The big music director learns to dance the sword and spear, speak, and ask for words, all of which are taught by the big music director, and the big official discusses and discusses in the East Sequence.

In ancient times, the emperor and the princes must have officials who raised animals. When the season came, they all took a bath and personally worshiped the animals. Sacrificial animals must be taken there, which is the highest respect. The king summoned the cow, took it in and looked at it, selected its hair and divined it. If it was auspicious, then he would raise it. The king wears a leather hat and white silk, and on the first and half moons, the king inspects the animals, so as to devote himself to the work and show his filial piety. In ancient times, the emperor and the princes must have a public mulberry and silkworm room near the river. The palace is built with a height of three feet and a thorn wall to close it from the outside. When the great morning comes, the king wears a leather hat and white silk, and divines the auspiciousness of the three palace ladies and the concubines, and asks them to go to the silkworm room, offer seeds and bathe in the river; and mulberry in the public mulberry, eat the wind. After the year is over, the concubines finish the silkworms and present the cocoons to the king, and then offer the cocoons to the lady. The lady asks, "Is this what I wear for you?" Then she takes the cocoons and gives them a small sacrifice. In ancient times, those who offer cocoons usually use this! On a good day, the lady reels silk, and she spreads it in three basins, and then she asks the three palace ladies and the concubines to reel it; then she makes it red and green, black and yellow, and makes it into a pattern. After the clothes are made, the king should wear them to worship the ancestors, which is the utmost respect. The gentleman said: "Rites and music should never be separated from the body. If you use music to regulate the mind, then the heart of being easy, honest, and understanding will arise naturally. If the heart of being easy, honest, and understanding arises, then you will be happy, happy, peaceful, peaceful, long-lasting, and heavenly, and heavenly, divine. Heaven is trustworthy without words, and divine is majestic without anger. Use music to regulate the mind. Use ritual to regulate the body, then you will be solemn and respectful, and solemn and respectful will be dignified and majestic. If the mind is not harmonious and happy for a moment, then the heart of contempt and deceit will enter; if the appearance is not solemn and respectful for a moment, then the heart of arrogance and laziness will enter. Therefore, music is what moves the inside, and ritual is what moves the outside. Music is extremely harmonious, and ritual is extremely smooth. If the inside is harmonious and the outside is smooth, then the people will look at his face and not argue with him; look at his appearance, and the people will not be arrogant and easy. Therefore, when the brilliance of virtue moves inside, the people will all listen to him; when the reason is expressed outside, the people will all obey him. Therefore, it is said: If the way of ritual and music is achieved, the world will be filled with them, and it will be easy to carry them out. Music is what moves the inner self; ritual is what moves the outer self. Therefore, ritual is about reduction, and music is about abundance. Ritual is reduced and then progresses, and progress is the essence; music is abundant and then returns, and return is the essence. If ritual is reduced but not progressed, it will be lost; if music is abundant but not returned, it will be lost. Therefore, ritual has reward and music has return. If ritual gets its reward, there will be joy; if music gets its return, there will be peace. The reward of ritual and the return of music have the same meaning.




鏈鏂扮珷鑺傦細鏈哄満閫佽

鏇存柊鏃堕棿锛2025-03-23

鏈鏂扮珷鑺傚垪琛
杩欎竴鎶婃灙锛堝姞鏇4锛
鐜嬬墝鍑烘垬
闃崇値涔嬬考
蹇冪洿鍙e揩锛岀户缁繛鑳
鎵撶數璇
璁茬┒鍜屽皢灏
闃佷笅璁よ瘑璐瑰皯锛
閫璧
灏辨槸杩欎箞鍗戦剻
鍏ㄩ儴绔犺妭鐩綍
绗1绔 蹇呴』鎷夊嚭鍘婚獙灏垮晩锛
绗2绔 鏈変粈涔堜笉濡
绗3绔 涓绠卞暏閰掞紝涓涓コ浜
绗4绔 鎷跨殑鍑烘潵
绗5绔 绌虹伒鐜夌挧
绗6绔 鏁㈡槸涓嶆暍
绗7绔 缁х画娣卞叆
绗8绔 闀挎湡鍚堜綔锛堟劅璋㈢洘涓昏侀┈鐨勫ぉ绌哄崄涓囬绾㈡墦璧忥級
绗9绔 鍗佷簩澶╅亾鍥撅紒
绗10绔 鎻愪翰
绗11绔 姘斿姩涔濆眰
绗12绔 瀛﹀紵鈥滈檷榄斺濅簨浠
绗13绔 瀵逛綅绉戞瘮锛屾寫鎴樿嚜宸
绗14绔 涓瑷涓嶅悎
绗15绔 褰煎哺
绗16绔 涓嶆暍瑙
绗17绔 杩熶簡
绗18绔 鏅曡繃鍘讳簡
绗19绔 鍚勫睍绁為
绗20绔 宀涗富
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