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Rebirth of a Perfect Life

When asked about the age of the emperor, he should answer, “I heard that he started to wear clothes of a certain length.” When asked about the age of the king, he should answer, “I heard that he started to wear clothes of a certain length.” When asked about the age of the king, he should answer, “He can follow the affairs of the ancestral temple and the altar of grain when he is older; he should answer, “He cannot follow the affairs of the ancestral temple and the altar of grain when he is younger.” When asked about the son of a senior official, he should answer, “He can drive when he is older; he cannot drive when he is younger.” When asked about the son of a scholar, he should answer, “He can handle the formalities of the reception when he is older; he cannot handle the formalities of the reception when he is younger.” When asked about the son of a commoner, he should answer, “He can carry firewood when he is older; he cannot carry firewood when he is younger.” When asked about the wealth of the king, he should answer, “He can cook food with his own strength, and he does not need to use sacrificial utensils and clothes.” When asked about the wealth of a scholar, he should answer, “He can carry firewood with his own strength.” When asked about the wealth of common people, they should answer by counting their livestock.

I was led astray by the system

In ancient times, the emperor and the princes must have officials who raised animals. When the season came, they all took a bath and personally worshiped the animals. Sacrificial animals must be taken there, which is the highest respect. The king summoned the cow, took it in and looked at it, selected its hair and divined it. If it was auspicious, then he would raise it. The king wears a leather hat and white silk, and on the first and half moons, the king inspects the animals, so as to devote himself to the work and show his filial piety. In ancient times, the emperor and the princes must have a public mulberry and silkworm room near the river. The palace is built with a height of three feet and a thorn wall to close it from the outside. When the great morning comes, the king wears a leather hat and white silk, and divines the auspiciousness of the three palace ladies and the concubines, and asks them to go to the silkworm room, offer seeds and bathe in the river; and mulberry in the public mulberry, eat the wind. After the year is over, the concubines finish the silkworms and present the cocoons to the king, and then offer the cocoons to the lady. The lady asks, "Is this what I wear for you?" Then she takes the cocoons and gives them a small sacrifice. In ancient times, those who offer cocoons usually use this! On a good day, the lady reels silk, and she spreads it in three basins, and then she asks the three palace ladies and the concubines to reel it; then she makes it red and green, black and yellow, and makes it into a pattern. After the clothes are made, the king should wear them to worship the ancestors, which is the utmost respect. The gentleman said: "Rites and music should never be separated from the body. If you use music to regulate the mind, then the heart of being easy, honest, and understanding will arise naturally. If the heart of being easy, honest, and understanding arises, then you will be happy, happy, peaceful, peaceful, long-lasting, and heavenly, and heavenly, divine. Heaven is trustworthy without words, and divine is majestic without anger. Use music to regulate the mind. Use ritual to regulate the body, then you will be solemn and respectful, and solemn and respectful will be dignified and majestic. If the mind is not harmonious and happy for a moment, then the heart of contempt and deceit will enter; if the appearance is not solemn and respectful for a moment, then the heart of arrogance and laziness will enter. Therefore, music is what moves the inside, and ritual is what moves the outside. Music is extremely harmonious, and ritual is extremely smooth. If the inside is harmonious and the outside is smooth, then the people will look at his face and not argue with him; look at his appearance, and the people will not be arrogant and easy. Therefore, when the brilliance of virtue moves inside, the people will all listen to him; when the reason is expressed outside, the people will all obey him. Therefore, it is said: If the way of ritual and music is achieved, the world will be filled with them, and it will be easy to carry them out. Music is what moves the inner self; ritual is what moves the outer self. Therefore, ritual is about reduction, and music is about abundance. Ritual is reduced and then progresses, and progress is the essence; music is abundant and then returns, and return is the essence. If ritual is reduced but not progressed, it will be lost; if music is abundant but not returned, it will be lost. Therefore, ritual has reward and music has return. If ritual gets its reward, there will be joy; if music gets its return, there will be peace. The reward of ritual and the return of music have the same meaning.

Reborn Female Devil: Good night, Your Majesty the Mysterious Prince!

For all positions, except for the funeral of a relative, the age of mourning below all ascend the throne and cry and mourn until he has finished his work, but he removes his mourning clothes to the east, ascends the throne, exposes his hair to the east, dances, and wears mourning clothes, bows to the guests and returns to his seat, cries and dances, sends the guests back to his seat, and the attendant tells him to take his place. After three days and five cries, the host goes out to see the guests off; all the host's brothers go out, and the crying stops. The attendant tells him that the work is done. He wears mourning clothes and bows to the guests. If the host's family is far away, he wears mourning clothes and goes. For the age of mourning clothes, cry while looking at the hometown; for the great merit, cry while looking at the door; for the small merit, cry when reaching the door; for the mourning clothes, cry while ascending the throne. Cry for the father's party in the temple; for the mother's wife's party in the bedroom; for the teacher outside the temple gate; for the friend outside the bedroom gate; for the acquaintance in the wild, set up the curtain. In all cases of mourning, no offerings are made. Nine times for the emperor, seven times for the princes, five times for the ministers, and three times for the scholars. The ministers mourn for the princes, but dare not bow to the guests. The ministers in other countries cry for their positions, but dare not bow to the guests. Brothers with the princes also cry for their positions. All those who hold positions have their bare backs. Those who know each other mourn first at home and then at the tomb, and all of them dance for the funeral, facing north from the host and dancing. In all cases of mourning, the father is the main mourner when the father is still alive; after the father dies, the brothers live together and each of them mourns for his own. If the relatives are the same, the elder one is the main mourner; if they are not the same relatives, the closest one is the main mourner. When hearing about the funeral of a distant brother, the mourning period is over, and the mourning period is not heard, and the bare backs are not worn, and the left hand is preferred to bow to the guests. The only people who hold positions without mourning are sisters-in-law and uncles; and women who come down without mourning wear hemp. In all cases of mourning, if a minister arrives, he should bare his backs, bow to him, dance to him, and then kiss him; for scholars, kiss him and then bow to him.

Halfway Love

All the clothes, utensils and officials of the four dynasties were used by Lu. Therefore, Lu was the king's ritual, and the world has passed it down for a long time. The monarch and his subjects never killed each other; the rituals, music, criminal laws, politics and customs never changed, and the world thought it was a country with morality. Therefore, the world relied on rituals and music.

Korean Entertainment Scumbag

Although Yin Zhongjun was a man of broad thoughts, he was more specialized in talent and character. Suddenly talking about the four books, it was like a iron fortress in Tangchi, impregnable.

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