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The strongest immortal master

The host and the guest symbolize heaven and earth; the host and the guest symbolize yin and yang; the three guests symbolize the three lights; the three of them symbolize the three days of the moon; the four sides of the seat symbolize the four seasons.

Spiritual Destruction

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When Yu Zhigong was the governor of Jingzhou, he presented a feather fan to Emperor Wu. Emperor Wu suspected that it was an old item. Liu Shao, the imperial attendant, said: "When the cypress beams and clouds are constructed, the craftsmen are first placed under them; when the pipes and strings are playing, the bells and Kui are the first to hear the sounds. Zhigong presented the fan because it was good, not new." Empress Yu heard this and said: "This person should be by the emperor's side."

I heard he still loves me

The Master said: "The one who has no worries is only King Wen! He took King Ji as his father and King Wu as his son. The father created it, and the son continued it. King Wu inherited the thread of King Da, King Ji, and King Wen, and wore a military uniform and ruled the world. He did not lose his body. The world's most famous name, respected as the Son of Heaven, rich in the four seas. The ancestral temples offer sacrifices to him, and his descendants protect him. When King Wu was the last to receive the mandate, Duke Zhou continued the virtues of Wen and Wu, and honored the great kings and the young kings with the rites of the Son of Heaven. This rite extends to the princes, officials, and common people. If the father is an official and the son is an official, he shall be buried with an official and offered sacrifices to an official. If the father is an official and the son is an official, he shall be buried with an official and offered sacrifices to an official. The mourning period extends to officials. The mourning period of three years extends to the Son of Heaven. The mourning of parents is the same for both the noble and the humble.

Angels cry only for starry nights

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When hearing about the death, one cannot go to the funeral, so he cries to the utmost; when asked why, he cries to the utmost again. Then he takes his seat, ties his hair and exposes his clothes, dances, and wears a sash and a belt to take his seat, bows to the guest and returns to his seat, dances. When the guest leaves, the host bows and sees him off outside the door, and returns to his seat; if there are guests who arrive later, he bows to them and dances, and sees them off as before. When he cries again, he ties his hair and exposes his clothes, dances. When he cries for the third time, he ties his hair and exposes his clothes again and dances. After three days, he is in mourning. After the fifth time, he bows to the guest and sees him off as before. If he returns after the funeral, When the host goes to the tomb, he cries and dances, pulls his hair to the east and exposes his mourning clothes, bows to the guests and dances, sends the guests back to their seats, cries and mourns until he has finished his work, then removes his clothes, and does not cry at home. The host does not change his clothes when treating the host, cries with him, and does not dance. From the age of mourning below, the difference is that he does not wear mourning clothes.