Peng Tu 139万字 481041人读过 连载
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King Jiong of Qi was the Grand Marshal assisting in the administration, and Ji Shao was the Palace Attendant, who went to Jiong to consult on matters. Jiong set up a meeting of ministers and summoned Ge Yi, Dong Ai and others to discuss current affairs. Yi and others said to Jiong: "Minister Ji is good at playing stringed instruments. You can ask him to play it." So they sent the musical instruments. Shao Tui refused. Jiong said, "We are all happy today, why are you resisting?" Shao said, "You have assisted the royal family and made them do things in an exemplary manner. Although Shao is a low-ranking official, his duties are equivalent to those of an ordinary official. Playing silk and bamboo is the job of a musician. It cannot be dressed according to the rules of the previous kings, which is the occupation of the people of Wu. Now that I am forced to accept the emperor's order, I dare not refuse. I should put down my crown and wear private clothes. This is what Shao wants." Yu and others were dissatisfied and left.
Zengzi asked, “In ancient times, when a teacher traveled, did he have to move the temple master?” Confucius said, “When the emperor went on a tour, he moved the temple master and carried him in a Qi carriage, which means that he must have a dignified one. Now, if you take the masters of the seven temples with you, you will lose this. There should be no empty masters in the seven temples and the five temples. The empty masters are only when the emperor dies, the princes die, or leave their countries, and when offering sacrifices to the ancestors, there is no master. I heard from Lao Dan that when the emperor dies or the monarch dies, the celestial priest takes the masters of the temples and hides them in the temples of the ancestors. This is a ritual. After the mourning is over, the masters return to their temples. When the monarch leaves his country, the great minister takes the masters of the temples and follows him. This is a ritual. When offering sacrifices to the ancestors, the celestial priest welcomes the masters of the four temples. The master must ride in a carriage when leaving or entering a temple. Lao Dan said. ”Zengzi asked, “In ancient times, when a teacher traveled, he did not move the master, so who was the master?” Confucius said, “The master commands. ” Asked, “What does it mean?” Confucius said, “When the emperor and the princes are about to go out, they must inform their ancestors with coins, silk, leather and jade, and then carry them out on the Qi carriage. Every time they leave, they offer sacrifices before returning to their homes. When they return, they must inform, set up sacrifices, collect coins and jade, and hide them between the two steps before leaving. This is because of the noble destiny.”
Tao Gong had great ambitions since he was young. His family was extremely poor, so he lived with his mother, Zhan. Fan Kui, a fellow countyman who was well-known, was selected as a filial and honest official and stayed at Kan's place. At that time, ice and snow accumulated day by day, and Kan's room was as dark as a hanging chime, while Kui had many horses and servants. Kan's mother, Mrs. Zhan, said to Kan, "You just go out and entertain the guests, and I will take care of the affairs myself." Zhan's hair fell to the ground, and the lower part was broken into two buns. She sold several bushels of rice, chopped down the pillars of the house, cut half of them into firewood, and ground the remaining hair into horse grass. Every day and evening, he provided fine food, so that his followers had nothing to lack. Kui was amazed at his eloquence and felt deeply ashamed of his kindness. The next morning he left, and Kan followed him closely, and they walked for about a hundred miles. Kui said, "The road is long, you should go back." Kan still did not return, so Kui said, "You can go now! We will talk about your good deeds in Luoyang." Kan then returned. Kui and Luo then praised them to Yang Zhi, Gu Rong and others, and they won great praise.
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