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Kyushu Gods and Demons

Addicted to marriage

Chen Ying was from Dongyang. He cultivated moral conduct at a young age and was well-known among his fellow villagers. At the end of the Qin Dynasty, when chaos broke out, the people of Dongyang wanted to take Ying as their master, but his mother said, "No! As your wife, I have rarely seen poverty and humbleness. Once I become rich and noble, it will be unlucky! It is better to take the army and make it yours: if it succeeds, you will get less benefit; if it fails, you will suffer the consequences."

Dad's Road to God

Amber between eyebrows

When Yu Wenkang died, He Yangzhou said at his funeral: "Buried in the soil, how can we stop feeling sad!"

My wife always thinks I don't love her.

The emperor went to the four directions and first burned firewood. The sacrifice in the suburbs was to welcome the arrival of the longest day, to report to the sky and to dominate the sun. The omen was in the southern suburbs, and it was to go to the yang position. The sacrifice was made by sweeping the ground, and it was to its nature. The utensils used were pottery and gourds, which symbolized the nature of heaven and earth. In the suburbs, it was called the suburbs. The sacrificial animals used were red, and the calf was used, and sincerity was valued. The use of pungent food in the suburbs was the beginning of the Zhou Dynasty. Divination in the suburbs was to receive orders from the ancestral temple, and tortoise shells were made in the ancestral palace, which meant respecting the ancestors and examining them personally. On the day of divination, the king stood in the marsh, and personally listened to the oath and accepted the teachings and admonitions. The order of offering orders to the treasury gate is to warn all officials. The order of the great temple is to warn the people. On the day of sacrifice, the king wears a leather cap to listen to the sacrifice report, showing the people that he is strict with the emperor. The mourners do not cry, dare not wear mourning clothes, sweep the road, and light candles in the fields. Without orders, the people obey the emperor. On the day of sacrifice, the king wears a robe to represent the sky, wears a crown, and has twelve tassels, which is the number of the sky. He rides a plain car, which is valued for its quality. The flag has twelve tassels, with a dragon pattern and the sun and the moon, which represent the sky. The sky shows its image, and the sage follows it. The suburbs are used to clarify the way of the sky. The emperor's ox is not auspicious, so it is made into a millet ox. The emperor's ox must be made in the third month of the purification month, and the millet ox is the only one. This is to distinguish between the gods of heaven and the ghosts of people. All things are based on heaven, and people are based on their ancestors. This is why they are in harmony with the emperor. The suburban sacrifice is a great report to the origin and the beginning.

Rebirth of the Immortal Emperor

In ancient times, the emperor and the princes must have officials who raised animals. When the season came, they all took a bath and personally worshiped the animals. Sacrificial animals must be taken there, which is the highest respect. The king summoned the cow, took it in and looked at it, selected its hair and divined it. If it was auspicious, then he would raise it. The king wears a leather hat and white silk, and on the first and half moons, the king inspects the animals, so as to devote himself to the work and show his filial piety. In ancient times, the emperor and the princes must have a public mulberry and silkworm room near the river. The palace is built with a height of three feet and a thorn wall to close it from the outside. When the great morning comes, the king wears a leather hat and white silk, and divines the auspiciousness of the three palace ladies and the concubines, and asks them to go to the silkworm room, offer seeds and bathe in the river; and mulberry in the public mulberry, eat the wind. After the year is over, the concubines finish the silkworms and present the cocoons to the king, and then offer the cocoons to the lady. The lady asks, "Is this what I wear for you?" Then she takes the cocoons and gives them a small sacrifice. In ancient times, those who offer cocoons usually use this! On a good day, the lady reels silk, and she spreads it in three basins, and then she asks the three palace ladies and the concubines to reel it; then she makes it red and green, black and yellow, and makes it into a pattern. After the clothes are made, the king should wear them to worship the ancestors, which is the utmost respect. The gentleman said: "Rites and music should never be separated from the body. If you use music to regulate the mind, then the heart of being easy, honest, and understanding will arise naturally. If the heart of being easy, honest, and understanding arises, then you will be happy, happy, peaceful, peaceful, long-lasting, and heavenly, and heavenly, divine. Heaven is trustworthy without words, and divine is majestic without anger. Use music to regulate the mind. Use ritual to regulate the body, then you will be solemn and respectful, and solemn and respectful will be dignified and majestic. If the mind is not harmonious and happy for a moment, then the heart of contempt and deceit will enter; if the appearance is not solemn and respectful for a moment, then the heart of arrogance and laziness will enter. Therefore, music is what moves the inside, and ritual is what moves the outside. Music is extremely harmonious, and ritual is extremely smooth. If the inside is harmonious and the outside is smooth, then the people will look at his face and not argue with him; look at his appearance, and the people will not be arrogant and easy. Therefore, when the brilliance of virtue moves inside, the people will all listen to him; when the reason is expressed outside, the people will all obey him. Therefore, it is said: If the way of ritual and music is achieved, the world will be filled with them, and it will be easy to carry them out. Music is what moves the inner self; ritual is what moves the outer self. Therefore, ritual is about reduction, and music is about abundance. Ritual is reduced and then progresses, and progress is the essence; music is abundant and then returns, and return is the essence. If ritual is reduced but not progressed, it will be lost; if music is abundant but not returned, it will be lost. Therefore, ritual has reward and music has return. If ritual gets its reward, there will be joy; if music gets its return, there will be peace. The reward of ritual and the return of music have the same meaning.