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Zixia asked Confucius, "What should I do if I am the enemy of my parents?" Confucius said, "Sleep on straw and use dry wood as pillow, do not serve in the government, and do not share the world with them; if you meet them in the market, do not fight with them." He said, "What should I do if I am the enemy of my brothers?" Confucius said, "Serve in the government and do not share the country with them; if I am sent by the king, I will not fight with them even if I meet them." He said, "What should I do if I am the enemy of my uncle and brothers?" Confucius said, "If I am not the leader, if the host is capable, I will hold the weapon and accompany them behind."

Music is the movement of the heart; sound is the image of music. Literary talent and rhythm are the decoration of sound. A gentleman moves his roots, enjoys his image, and then manages his decoration. Therefore, first beat the drum to warn, three steps to see the direction, start again to go forward, and return to order after chaos. Be vigorous but not withdrawn, and be extremely obscure but not hidden. Enjoy your aspirations alone, and do not tire of your way; fully promote your way, and do not be selfish. Therefore, when feelings are revealed, righteousness is established, and when music ends, virtue is respected. Gentlemen love goodness, while villains listen to faults. Therefore, it is said that music is the greatest way to lead the people. Music is giving; ritual is repaying. Music is to enjoy what it was born from; and ritual is to return to what it started from. Music is to show virtue, and ritual is to repay emotion and return to the beginning. The so-called great carriage is the emperor's carriage. The dragon flag with nine tassels is the emperor's banner. The blue-black border is the emperor's precious tortoise. Following it are the cattle and sheep, which are used to give gifts to the princes. Music is the emotion that cannot be changed. Rituals are the principles that cannot be changed. Music is unified, and rituals distinguish differences. The theory of rituals and music governs human emotions. To understand the origin and know the changes is the emotion of music; to be sincere and to get rid of falsehood is the principle of rituals. Rituals and music can understand the emotions of heaven and earth, reach the virtue of the gods, and inspire the spirits of the upper and lower, and condense the essence and the coarse, and lead the rules of father and son, monarch and minister. Therefore, when the great man promotes rituals and music, heaven and earth will be bright. When heaven and earth are in harmony, yin and yang are in harmony, and the warmth of the old woman nurtures all things, then the grass and trees grow, the buds grow, the wings flutter, the horns grow, the hibernating insects wake up, the feathered ones lie down, the hairy ones conceive, the viviparous ones are not killed, and the egg-laying ones are not killed, then the way of music returns to it. Music does not refer to the Huangzhong, Dalu, string music, and singing, which are the last part of music, so children dance to them. Spreading the banquet, setting up the sacrificial vessels, arranging the trays and bowls, and using the rise and fall as rituals are the last part of rituals, so there are officials in charge of them. The musicians distinguish between sounds and poems, so they face north and play the strings; the ancestral priests distinguish between the rituals of the ancestral temple, so they play after the corpse; the business priests distinguish between the funeral rituals, so they play after the host. Therefore, virtue is the upper, and art is the lower; behavior is the first, and things are the last. Therefore, the ancient kings had upper and lower, first and last, and then they could have control over the world.

Short should not show skin, long should not cover dirt. Continue the lapel, hook the edge. The seam should be halfway down; the height of the skirt should be enough to move the elbow; the length of the sleeve should be bent back to the elbow. The belt should not be too long below the thigh, and should not be too long above the ribs, and there should be no bones. Regulations: Twelve pieces should correspond to twelve months.

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Wang Sizhou talked with Yin Zhongjun and sighed, "The inner secrets of my palace have been revealed early on, and Yin's might is so great that the source of all the forces is unfathomable."

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The emperor's jade moss has twelve tassels, which extend from front to back and are used for offering sacrifices. When the sun rises, he looks at it outside the east gate. When the sun rises, he looks at it outside the south gate. In the intercalary month, he closes the left door and stands in the middle. He wears a leather hat and looks at the sun. Then he eats. At noon, he eats. He plays music and eats. On the day, there is a small amount of food, on the first month, there is a big amount of food; five drinks: water, syrup, wine, sweet wine, and wine. At the end of the meal, the emperor sits in a dark posture. When he moves, the left historian records it, and when he speaks, the right historian records it, and the blind man drives the blind table up and down. If the year is not auspicious, the emperor will wear plain clothes, ride a plain car, and eat without music. The princes will wear a dark posture to offer sacrifices, wear a small crown to attend court, and wear a leather hat to listen to the first month of the month in the Grand Temple. They will wear court clothes to watch the sun at the inner court. At court, they will enter the court after distinguishing colors. The king will watch it when the sun rises, and then retreat to the roadside bedroom to listen to government affairs. He will send people to watch the officials. When the officials retreat, they will go to the small bedroom to sleep and take off their clothes. Also, the king will wear morning clothes to eat, and three special lungs will be offered as sacrifices. In the evening, he will wear deep clothes and offer meat as sacrifices. On the first month, there will be a small amount of food, five sacrificial dishes and four gui. The sons and the sons will eat vegetable soup, and the ladies will cook with the king.

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Yuezheng Ruijing

When Huan Xuan was about to usurp the throne, Huan Xiu wanted to succeed him because Xuan had the permission of his mother. Madam Yu said, "You are close, and you have more years than I do. I have taken care of him, and I cannot bear to see him do such a thing."

Wrong love hurts

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The way of heaven is the highest teaching, and the sage is the highest virtue. Above the temple hall, the Lei Zun is in the east, and the Xi Zun is in the west. Below the temple hall, the Xian Gu is in the west, and the Ying Gu is in the east. The king is in the east, and the lady is in the room. The sun is born in the east, and the moon is born in the west. This is the division of yin and yang, and the position of husband and wife. The king drinks from the Xi Xiang in the west, and the lady drinks from the Lei Zun in the east. The interaction of rituals moves above, and the interaction of music responds to below, which is the ultimate harmony. Rituals are to reflect what they are born from; music is to enjoy what they are made from. Therefore, the ancient kings established rituals to regulate affairs and cultivate music to guide their will. Therefore, by observing their rituals and music, we can know whether they are in order or not. Qu Boyu said: "A gentleman is a man of great ability, so by observing his utensils, we can know his skill; by observing his hair, we can know his wisdom." Therefore, it is said: "A gentleman is careful about what he gives to others."

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When the body is just dead, the host cries, the brothers cry, and the women cry and jump. After the body is straightened, the son sits in the east, the father, brother, and son of the nobles and officials stand in the east, and the officials and commoners cry in the north below the hall; the wife sits in the west, the inner women, aunts, sisters, and son stand in the west, and the outer women, led by the outer clan, cry in the north above the hall. In the funeral of an official, the host sits in the east, and the mistress sits in the west. If there are nobles and ladies, they sit, and if there are none, they all stand. In the funeral of a scholar, the father, brother, and son of the host all sit in the east, and the aunts, sisters, and son of the mistress all sit in the west. When crying for the body in the room, the host holds the quilt with both hands and cries.

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