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At first, there were dozens of people who annotated Zhuangzi, but none of them could understand its main points. Xiang Xiu explained the meaning beyond the old annotations, with wonderful and unique analysis, and promoted the mysterious style. Only the two poems "Autumn Water" and "Supreme Joy" were not completed when Xiu died. When Xiuzi was young, Yi died, but there is still another copy. Guo Xiang was a man of mean conduct but with great talent. Seeing that Hideyoshi's work was not passed down to the world, I secretly took it as my own. He added his own annotations to the two chapters "Autumn Water" and "Supreme Joy", and changed the chapter "Horse's Hoof". As for the rest of the chapters, he only added some fixed sentences. Later, Xiu Yi wrote a different version, so now there are two Zhuangs, Xiang and Guo, but the meaning is the same.
Jianwen sat in a dark room and summoned Xuanwu. When Xuanwu arrived, he asked where the emperor was. The letter said: "I am here." People at that time thought he was capable.
Xie Gong was in Dongshan, and he refused to move despite repeated imperial orders. Later he was appointed Sima of Huan Xuanwu. When he was about to leave for Xinting, all the court officials came out to see him off. Gao Ling was the Zhongcheng at that time, and he also went to visit his ancestor. Before, he had drunk a little, and because he seemed to be drunk, he joked, "You have repeatedly disobeyed the imperial edict and have been staying in seclusion in the East Mountain. People always say to each other, 'If Anshi refuses to come out, what will happen to the people?' Now, what will happen to the people? " Xie smiled but did not answer.
The emperor mourns for seven days and buries in the seventh month. The princes mourn for five days and bury in the fifth month. The officials, scholars and common people mourn for three days and bury in the third month. The three-year mourning period starts from the emperor and ends at the common people. Burial is not stopped because of rain, and no burial is done without a burial or tree. There is no double mourning, from the emperor to the common people. Mourning follows the dead, and sacrifice follows the living. Branch descendants do not offer sacrifices. The emperor has seven temples, three Zhao and three Mu, and the temple of Taizu makes seven. The princes have five temples, two Zhao and two Mu, together with the temple of Taizu, five. The officials have three temples, one Zhao and one Mu, together with the temple of Taizu, three. The scholars have one temple. The common people offer sacrifices in the bedroom.
Wang Ziyou went to Xi Yongzhou. Inside Yongzhou, he saw something called (ximao) (dengmao) and said, "How did Aqina get this thing?" He ordered his attendants to send it back home. Xi came out to meet him, and the king said, "Just now there was a strong man who carried it and ran away." Xi showed no sign of disobedience.
Those who follow others in mourning should not mourn until their parents are gone. Those who follow others should mourn even when their parents are dead. If a concubine leaves a female ruler, she should not mourn for the female ruler's son. According to etiquette, there is no sacrifice without the king. The crown prince does not lower his wife's parents; his wife is the same as the son of a senior official. If the father is a scholar and the son is the emperor or a prince, then sacrifices are made to the emperor or a prince, and his body is dressed in scholar's clothes. If the father is the emperor or a prince and the son is a scholar, sacrifices are made to the scholar, and his body is dressed in scholar's clothes. If a woman leaves the house when she is in mourning, she should be removed. If she leaves the house before mourning for her parents, she should be mourned for three years. If she leaves the house after mourning, it is over. If she returns without mourning, she should be mourned for a period of time; if she returns after mourning, she should be mourned for a period of time.
Liu Ling was six feet tall, very ugly, and seemed to be in a state of calm and unsteady form.
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