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Confucius returned first, and his disciples came later. It was raining heavily. When he arrived, Confucius asked him: "Why are you so late?" He said: "The tomb in Fang collapsed." Confucius did not answer., Confucius burst into tears and said: "I heard that in ancient times, tombs were not repaired."
When Emperor Yuan met Sikong He for the first time, he talked about the current affairs of Wu and asked, "Who is the one who was burned and sawed off by Sun Hao?" Sikong was unable to answer, and Emperor Yuan recalled, "It was He Shao." Sikong shed tears and said, "My father suffered injustice and was deeply hurt. I have no way to respond to the imperial edict." Emperor Yuan felt ashamed and did not go out for three days.
Men and women do not know each other without a matchmaker; they do not interact or get close to each other without money. Therefore, the sun and the moon are used to inform the king, and all warnings are used to inform the ghosts and gods. Wine and food are prepared to invite neighbors and colleagues to show their respect.
Guo Jingchun crossed the river and lived in Jiyang. His tomb was less than a hundred steps away from the water, so people at that time thought it was close to the water. Jing Chun said: "It will become land in the future." Now the sand has risen, and the land dozens of miles away from the tomb is all mulberry fields. His poem goes like this: "The northern hill is fierce, the vast ocean is turbulent; the three tombs are piled up, only the mother and the Kun."8 Prime Minister Wang ordered Guo Pu to try to make a hexagram. When the hexagram was completed, Guo looked very unhappy and said, "You will have a disaster!" The king asked, "Is there a way to avoid it?" Guo said, "I will order my carriage to go west for a few miles and find a cypress tree. I will cut it into a piece as long as you, and place it on your bed as a regular place to sleep. Then the disaster will be avoided." The king followed his advice. Within a few days, the fruit was crushed to pieces, and the children and young men all celebrated. The general said, "You are again putting the blame on the trees."
Zhi Daolin, Xu, and Xie Shengde gathered at Wang's house. Xie Gu said to everyone: "Today can be called a gathering of Yan. Time cannot be kept, and this gathering is certainly not going to last long. We should talk and chant together to express our feelings." Xu then asked the host if he had Zhuangzi. Just got an article about fisherman. After thanking him for reading the question, he asked the four people to communicate. Zhi Daoling was the first to compose a poem of about 700 words, which was elegant and brilliant in narration, and outstanding in talent and rhetoric, and was praised by everyone. Then the four people sitting there each expressed their thoughts. Xie asked, "Have you all finished speaking?" They all said, "We have exhausted all our words today." Xie felt that it was difficult to speak, so he explained his thoughts himself in more than ten thousand words, with his talent and elegance. It is difficult for him to do it, but he also tries to be ambitious and contented, and everyone around him is annoyed by it. Zhi said to Xie: "You went there once, so you are doing well again."
When a gentleman is about to build a palace, the ancestral temple comes first, the stables and storehouses come second, and the living quarters come last. For all household construction, sacrificial utensils come first, sacrificial tribute comes second, and domestic utensils come last. Those without land and salary do not set up sacrificial utensils; those with land and salary first make sacrificial clothes. Even if a gentleman is poor, he does not eat porridge with sacrificial utensils; even if it is cold, he does not wear sacrificial clothes; when building a palace, he does not cut hills and trees. When a senior official or scholar leaves the country, sacrificial utensils are not overused. The senior officials shall leave the sacrificial vessels with the senior officials, and the scholars shall leave the sacrificial vessels with the scholars.
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