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Minor burial, the host sits in the room, the mistress faces east, and then burial. Final burial, the host jumps, and the mistress does the same. The host exposes his hair and wears hemp, while the lady wears her hair in a bun and wears hemp in the room. The curtains are removed, and men and women carry the corpse to the hall and bow down: the king bows to the guest of state and the ministers and scholars bow to the ministers and ministers at their seats, and bow three times beside the scholar; the lady also bows to the lady of the king in the hall, the wife of the minister and the scholar's wife bows specially, and the lady bows to all the guests in the hall. When the host takes the throne, he wears a sash and dances. In the case of the mother's death, he takes the throne and takes off his clothes, then he offers a sacrifice. The mourners wear fur coats, add a military sash and sash, and dance with the host. In the case of the king's death, the Yu people bring out wooden horns, the Di people bring out pots, and the Yong people bring out tripods. The Sima hangs them, and the officials take the place of mourning. The officials who take the place of mourning do not hang pots, and the scholars who take the place of mourning do not use officials. The king's hall has two candles on the top and two candles on the bottom, the senior officials have one candle on the top and two candles on the bottom, and the scholars have one candle on the top and one candle on the bottom. The guests go out and clear the curtains. Cry for the corpse in the hall, the host is in the east, the outsiders are in the west, and the women face the south. Women do not go down the hall to greet or see off guests, and do not cry when they go down the hall; men do not cry when they see people outside the bedroom. If there is no female host, the male host bows to the female guest inside the bedroom door; if there is no male host, the female host bows to the male guest at the steps below the east. If the child is young, he will be held in mourning clothes, and people will bow for him; if the latter is not present, the person with a title will decline, and the person without a title will bow for him. If it is within the inner chamber, then wait for it; if it is outside the inner chamber, then the funeral can be done. There is no funeral without a successor, but there is no funeral without a master.

When a king enters the door, he should brush the doorway, and a senior official should stand between the middle and the middle of the doorway, and a scholar should brush the doorway. Guests should not enter the middle of the door or step on the threshold. Public affairs should be conducted from the west of the doorway, and private affairs should be conducted from the east of the doorway. When a king and a corpse walk together, a senior official should follow the steps, and a scholar should walk in the middle. When walking slowly, they should all follow this. When walking quickly, one should not move his hands or feet, and a pig in a circle should not lift its feet, but should move in unison like a stream. The same is true for those at the table. When walking upright, one's chin should flow like an arrow, and when walking with a hat on, one should lift his shoes and hold a tortoise shell, lift his front and drag his heels, and walk slowly. When walking, one should be in a state of dignified and orderly manner, and the temple should be in a state of mingled and the court should be full of people. The gentleman's face is relaxed and slow, and he is respectful when he sees someone he respects. His feet are heavy, his hands are respectful, his eyes are upright, his mouth is still, his voice is quiet, his head is straight, his aura is solemn, his posture is virtuous, his expression is solemn, he sits like a corpse, and when he is at home, he is warm and gentle. When offering sacrifices, his face and color are as if he sees the person he is offering sacrifices to. His expression is full of sorrow, his expression is dazed, his eyes are agitated, his speech is cocooned, his expression is fierce, his speech is rude, his expression is stern, and his eyes are clear. His appearance is clear, he is humble but not flattering, his head and neck must be in the right place, he stands upright and walks in time, his aura is full and solid, and his complexion is elegant. When referring to oneself: the emperor says "I am the only one", the baron says "the emperor's powerful minister". The princes say to the emperor "the minister who guards such and such a land", and those in the border towns say "the minister who protects such and such a land". Those who are inferior to the enemy say "I am the one", the ruler of a small country says "I am the only one", and those who are exiled also say "I am the only one". The senior officials are called lower ministers, and those who are banished are called the widowed monarch's elders. The junior officials name themselves, and those who are banished are called the widowed officials. The crown prince names himself, and those who are banished are called the widowed monarch's suitable ones. The princes are called the ministers of the ministers. The scholars are called the ministers of ... The country of the eight barbarians is outside the south gate, facing north and going east. The country of the six Rong is outside the west gate, facing east and going south. The country of the five Di is outside the north gate, facing south and going east. The country of the nine Cai is outside the Ying Gate, facing north and going east. The four barriers are there, and the world is here. This is the location of the Mingtang of Duke Zhou. The Mingtang is to clarify the nobility and inferiority of the princes.

Family mourners do not worry about where to live, and ruins do not endanger their bodies. Famished people do not worry about where to live, because there is no temple; ruins do not endanger their bodies, because there is no offspring.




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更新时间:2025-03-20

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