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Liu Yin said: "People say Jiang has farmhouses, but Jiang actually has his own farmhouses."
Someone asked: "What is the cane for?" The answer is: a filial son who has lost his parents cries countless times, serves for three years, and becomes sick and thin, so he uses a cane to support the sick. If the father is still alive, he dare not use a cane, because the respected person is still alive; he does not use a cane in the hall, because he avoids the respected person's place; he does not rush in the hall, because he is not in a hurry. This is the will of a filial son, the reality of human nature, and the principle of etiquette and righteousness. It does not come from heaven or earth, but is just human nature.
Zhi Daolin often raised several horses. Someone said that the Taoists’ horses were not good at making music. Zhi said, “I value their divine steeds.”
When the king and the official are about to bury the deceased, they should offer condolences in the palace; when they leave, they should order the officials to lead the mourners, but they should stop after three steps. After three times, the king will leave; they should do the same in the morning and at the funeral. Those who are fifty years old and do not have carriages should not cross the border to offer condolences.
When Pei Lang wrote "Yu Lin" (Words in the Forest), it was widely known far and wide when it first came out. At that time, young people all copied it and each had one. It is recorded that Wang Dongting wrote a poem "Presented to the King's Drunken Master" which was very talented and sentimental.
At first, there were dozens of people who annotated Zhuangzi, but none of them could understand its main points. Xiang Xiu explained the meaning beyond the old annotations, with wonderful and unique analysis, and promoted the mysterious style. Only the two poems "Autumn Water" and "Supreme Joy" were not completed when Xiu died. When Xiuzi was young, Yi died, but there is still another copy. Guo Xiang was a man of mean conduct but with great talent. Seeing that Hideyoshi's work was not passed down to the world, I secretly took it as my own. He added his own annotations to the two chapters "Autumn Water" and "Supreme Joy", and changed the chapter "Horse's Hoof". As for the rest of the chapters, he only added some fixed sentences. Later, Xiu Yi wrote a different version, so now there are two Zhuangs, Xiang and Guo, but the meaning is the same.
When leaving a bow to someone else, the following points should be paid attention to: when the bow is stretched, the tendons are the most important, and when the bow is relaxed, the horns are the most important. The right hand holds the flute, the left hand holds the urn
When Sun Xinggong finished writing Tiantai Fu, he showed it to Fan Rongqi and said, "Try throwing it on the ground. It should make the sound of metal and stone." Fan said, "I'm afraid your metal and stone are not the middle tone of Gong Shang!" However, every time he came up with a good line, he would say, "It should be the language of our generation."
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