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When Lezheng Zichun's mother died, he did not eat for five days. He said, "I regret it. Since my mother didn't know my feelings, how can I use my feelings!"
After crying, taboos are used. In etiquette, do not taboo names that are disliked. Two names are not tabooed. If you are in the service of your parents, you should taboo the king's parents; if you are not in the service of your parents, you should not taboo the king's parents. The king has no private taboos, and the nobles have public taboos. There is no taboo in the "Book of Songs" and "Book of Documents", and there is no taboo in writing. There is no taboo in the temple. The taboos of wives, even in front of the king, are not taboos; women do not taboo when leaving home. There is no taboo for major or minor merits. Ask about the prohibitions when entering the country, ask about the customs when entering the country, and ask about the taboos when entering the door.
Huan Xuan went west and entered Shitou. The outsider said, "Sima Liang Wang has fled and rebelled." Xuan had already made up his mind, and he played horns and drums on the carriage, and sang loudly, "The sound of flutes and pipes remains, where is Liang Wang?"
When the dukes met the emperor, they called themselves "minister so-and-so" and "hou so-and-so". When they talked with the people, they called themselves "guaren"; when they were in mourning clothes, they called themselves "shizigu". When they attended sacrifices, they called themselves "filial son so-and-so and hou so-and-so" in the inner court, and "great-grandson so-and-so and hou so-and-so" in the outer court. When they died, they called themselves "hong", and when they came back, they called themselves "so-and-so fu fu yi". When they met the emperor after the burial, it was called "lei jian". When they talked about posthumous titles, it was called "lei".
The person who peels melons for the emperor serves as his deputy and wears a gauze scarf. The ruler of a country should dress it up and wear a scarf with a silk scarf. The officials are burdened by it, the scholars are sick of it, and the common people are bitten by it.
At first, there were dozens of people who annotated Zhuangzi, but none of them could understand its main points. Xiang Xiu explained the meaning beyond the old annotations, with wonderful and unique analysis, and promoted the mysterious style. Only the two poems "Autumn Water" and "Supreme Joy" were not completed when Xiu died. When Xiuzi was young, Yi died, but there is still another copy. Guo Xiang was a man of mean conduct but with great talent. Seeing that Hideyoshi's work was not passed down to the world, I secretly took it as my own. He added his own annotations to the two chapters "Autumn Water" and "Supreme Joy", and changed the chapter "Horse's Hoof". As for the rest of the chapters, he only added some fixed sentences. Later, Xiu Yi wrote a different version, so now there are two Zhuangs, Xiang and Guo, but the meaning is the same.
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