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Sacrificial rules: The Yu clan sacrificed to the Yellow Emperor and offered sacrifices to Ku in the suburbs, and their ancestors were Zhuanxu and Yao. The Xiahou clan also sacrificed to the Yellow Emperor and offered sacrifices to Gun in the suburbs, and their ancestors were Zhuanxu and Yu. The Yin people sacrificed to Ku and offered sacrifices to Ming in the suburbs, and their ancestors were Qi and Tang. The Zhou people sacrificed to Ku and offered sacrifices to Ji in the suburbs, and their ancestors were King Wen and King Wu.
Yang Fu’s younger brother married Wang Yongyan’s daughter. When Wang's family met their son-in-law, Fu sent his brother along. Shi Yongyan's father Dongyang Shang
Yin Hongyuan replied to Sun Xinggong's poem: "Let's play a song." Liu Zhenchang laughed at his clumsy words and asked: "What do you want to play?" Yin said: "(Mu Xi) La is also played, why do we need guns and bells?"
This month is the beginning of winter. Three days before the beginning of winter, the historian reported to the emperor: On a certain day, winter begins, and the great virtue is in the water. The emperor then stood up. On the day of the beginning of winter, the emperor personally led the three dukes, nine ministers, and officials to welcome winter in the northern suburbs, and then returned to reward the dead and provide relief to the orphans and widows. In this month, the emperor ordered the historian to use tortoise shells and divination to judge the good and bad fortunes, so as to investigate the favoritism, so that no crime could be covered up.
Taifu Xie said to Wang Youjun: "In middle age, I am hurt by sorrow and joy. When I say goodbye to my relatives and friends, I feel sick for several days." Wang said: "I am in my twilight years, so it is natural for me to be like this. I rely on music and calligraphy. I am always afraid that my children will notice it and ruin my joy."
When Gu Changkang painted people, he might not be able to paint their eyes well for several years. People asked why? Gu said: "The beauty of the body is irrelevant; the essence of the portrayal lies in the details."
Liu Yin said: "When the wind is clear and the moon is bright, I always think of the mysterious way."
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