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I'm such a big star

The world calls Yin Zhongjun: "His thoughts are profound and his knowledge is comparable to Yang Shuzi."

I'm not a vase

When Wang Yi Shao was in Kuaiji, when he first arrived, Zhi Daoling was there. Sun Xinggong said to Wang, "Zhi Daolin is an innovative and unique person with a broad mind. Do you want to meet him?" Wang had his own unique spirit and looked down on Zhi Daolin. Later, Sun and Zhi were carried together to Wang Xu, the king's capital, and they did not interact with each other. After a moment they retreated, and just as the king was about to set out, his carriage was already at the door. Zhi said to the king, "You can't leave yet. I want to talk to you a little." Then he talked about Zhuangzi's "Xiaoyaoyou". Zhi wrote thousands of words, with novel talent and brilliant words. The king then opened his collar and undressed, unable to stop lingering.

Top of Hollywood

He Cidao and Yu Jijian were both prime ministers. When Emperor Cheng died, the successor was not decided yet. He wanted to establish his son as the heir. Yu Ji and the court thought that the foreign invaders were strong and the heir was young, so they established Emperor Kang. When Emperor Kang ascended the throne, he convened a meeting with his ministers and said to He, "Whose advice is it that has enabled me to inherit the great cause today?" He replied, "Your Majesty's ascension to the throne is the result of Yu Bing's achievement, not my effort. If you had followed my humble advice at that time, you would not be able to see the prosperous Ming Dynasty now." The emperor looked ashamed.

Second-class medicinal maid

Xi Jiabin said to Xie Gong: "Although I did not kneel down to talk deeply, my thoughts were profound." He also said: "Youjun visited Jiabin." Jiabin heard it and said: "They cannot be called visits, but they can be called friends!" Xie Gong thought Jiabin's words were right.

The Golden Concubine of the Dark Prince

This marriage has been

When hearing about the death, one cannot go to the funeral, so he cries to the utmost; when asked why, he cries to the utmost again. Then he takes his seat, ties his hair and exposes his clothes, dances, and wears a sash and a belt to take his seat, bows to the guest and returns to his seat, dances. When the guest leaves, the host bows and sees him off outside the door, and returns to his seat; if there are guests who arrive later, he bows to them and dances, and sees them off as before. When he cries again, he ties his hair and exposes his clothes, dances. When he cries for the third time, he ties his hair and exposes his clothes again and dances. After three days, he is in mourning. After the fifth time, he bows to the guest and sees him off as before. If he returns after the funeral, When the host goes to the tomb, he cries and dances, pulls his hair to the east and exposes his mourning clothes, bows to the guests and dances, sends the guests back to their seats, cries and mourns until he has finished his work, then removes his clothes, and does not cry at home. The host does not change his clothes when treating the host, cries with him, and does not dance. From the age of mourning below, the difference is that he does not wear mourning clothes.