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The rest of my life is Liang Lin

The emperor went to the four directions and first burned firewood. The sacrifice in the suburbs was to welcome the arrival of the longest day, to report to the sky and to dominate the sun. The omen was in the southern suburbs, and it was to go to the yang position. The sacrifice was made by sweeping the ground, and it was to its nature. The utensils used were pottery and gourds, which symbolized the nature of heaven and earth. In the suburbs, it was called the suburbs. The sacrificial animals used were red, and the calf was used, and sincerity was valued. The use of pungent food in the suburbs was the beginning of the Zhou Dynasty. Divination in the suburbs was to receive orders from the ancestral temple, and tortoise shells were made in the ancestral palace, which meant respecting the ancestors and examining them personally. On the day of divination, the king stood in the marsh, and personally listened to the oath and accepted the teachings and admonitions. The order of offering orders to the treasury gate is to warn all officials. The order of the great temple is to warn the people. On the day of sacrifice, the king wears a leather cap to listen to the sacrifice report, showing the people that he is strict with the emperor. The mourners do not cry, dare not wear mourning clothes, sweep the road, and light candles in the fields. Without orders, the people obey the emperor. On the day of sacrifice, the king wears a robe to represent the sky, wears a crown, and has twelve tassels, which is the number of the sky. He rides a plain car, which is valued for its quality. The flag has twelve tassels, with a dragon pattern and the sun and the moon, which represent the sky. The sky shows its image, and the sage follows it. The suburbs are used to clarify the way of the sky. The emperor's ox is not auspicious, so it is made into a millet ox. The emperor's ox must be made in the third month of the purification month, and the millet ox is the only one. This is to distinguish between the gods of heaven and the ghosts of people. All things are based on heaven, and people are based on their ancestors. This is why they are in harmony with the emperor. The suburban sacrifice is a great report to the origin and the beginning.

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Someone who came and went said: Mr. Yu has the intention of going east. Someone said to the prince: "You can be more cautious in case of an emergency." The prince said: "Although Yuan Gui and I are both ministers of the king, we are originally commoners. If he wants to come, I will just put on my horn scarf and return to my black clothes. Why should I be more cautious?"

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When entering the dance, the king holds the dry and the halberd and takes the dance position. The king is on the east side, wearing a crown and holding the dry, and leads his ministers to enjoy the emperor's corpse. Therefore, when the emperor sacrifices, he enjoys it with the world; when the princes sacrifice, he enjoys it with the whole country. The emperor wore a crown and held the pillars of heaven, and led his ministers to entertain the emperor's corpse. This is the meaning of the inner music. There are three levels of sacrifice: among the offerings, nothing is more important than being naked, nothing is more important than singing, and nothing is more important than "Wu Su Ye". This is the way of Zhou. All three ways are used to borrow from the outside to increase the ambition of the gentleman, so they advance and retreat with the ambition; if the ambition is light, it is also light, and if the ambition is heavy, it is also heavy. If one's ambition is light and seeks external weight, even a sage cannot obtain it. Therefore, when a gentleman offers sacrifice, he must sacrifice himself, so as to make it clear that it is heavy. He should follow the etiquette, worship the three levels, and offer it to the emperor's corpse. This is the way of the sage. There is a 馂 in sacrifice; 馂 is the end of the sacrifice, which must be known. Therefore, the ancients said: "A good end is like the beginning." 馂 is just that. Therefore, the ancient gentlemen said: "The corpse is also the remnant of the ghosts and gods, and it is a benevolent method, which can be used to observe politics." Therefore, when the corpse is made, the king and the ministers are made to make it. When the king stands up, the senior officials are made to make it. The ministers are made to make it. The remnants of the king. The senior officials are made to make it. Eight scholars are made to make it. The lower officials are made to make it. The remnants of the nobles. The scholars are made to stand up, each holding their own utensils and go out, and they are laid out under the hall. The officials come in and clear them, and the lower officials are made to make it. The lower officials are made to make it. The way of making it is to change the number of people, so as to distinguish the noble and the humble, and to promote the image of benevolence. Therefore, four 簋黋 of millet are used to show that it is being cultivated in the temple. The temple is a symbol of the inner court. The sacrifice is the greatest benefit. Therefore, if there is a great benefit in the upper part, the benefit will surely reach the lower part, but the upper part will be the first and the lower part will be the last. It is not that the upper part is overburdened and the lower part is cold and hungry. Therefore, if there is a great marsh above, the people will wait for it below, knowing that the benefit will surely come, and they can see it from the taro. Therefore, it is said: "You can observe the politics."

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Someone asked the scholar, "What's your old surname? " He answered, "Wu Fujun is the mature and wise king of the Ming Dynasty. Zhu Yongchang is the most virtuous man in managing things and has a high reputation in the selection of officials. Yan Zhongbi is the crane singing in Jiugao and the white colt in the empty valley. Gu Yanxian is the zither with eight tones and the dragon with five colors. Zhang Weibao is the lush pine in the cold winter and the ethereal light in the dark night. Lu Shiheng and Shilong are the swans that circle and the drums that are waiting for the hammer. All these gentlemen: use the big pen as a hoe and paper as a fertile field. Use mystery as crops and morality as a good harvest. Use conversation as brilliance and loyalty as treasures. Write articles as brocade and contain the Five Classics as silk. Silent sitting is like a seat and Zhang Yirang is like a curtain. Practice benevolence and righteousness as a house and cultivate morality as a large house."

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