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During the Su Jun Rebellion, General Yu fled south to meet Lord Tao. Mr. Tao admired and respected him. Tao was frugal by nature. When he was eating, he would eat leeks, so Yu left some blank. Tao asked, "What is the use of this?" Yu said, "So that it can be planted." Tao then sighed that Yu was not only a romantic man, but also a practical man.
In the ceremony of pitching a pot, the host holds the arrow, the shooter holds the target, and someone holds the pot. The host asked, "I have a pot of whistle with crooked arrows. Please use it to entertain the guests." The guest said, "You have delicious wine and delicious food. Since I have given you, and you have also given me more entertainment, I dare not refuse." The host said, "I can't refuse the pot of whistle with crooked arrows. I dare to ask for it." The guest said, "I have given you, and you have also given me more entertainment. I dare not refuse." The host said, "I can't refuse the pot of whistle with crooked arrows. I dare not refuse." The guest said, "I refuse to accept your order. How dare I not obey?" The guest bowed again to accept it. The host returned it and said, "Please." The host bowed on the steps of the east, and the guest returned it and said, "Please." After bowing, he received the arrows, went to the middle of the two pillars, retreated to his seat, and greeted the guests to the banquet.
The king creates music when his achievements are accomplished, and establishes rituals when his governance is established. Those who have great achievements have complete music, and those who have a good governance have complete rituals. The dance of Ganqi is not complete music, and those who are prosperous and worship are not complete rituals. The Five Emperors lived in different times, and did not follow each other's music; the Three Kings lived in different times, and did not follow each other's rituals. When music is excessive, it leads to worry, and when rituals are rough, they become biased. And when
At first, there were dozens of people who annotated Zhuangzi, but none of them could understand its main points. Xiang Xiu explained the meaning beyond the old annotations, with wonderful and unique analysis, and promoted the mysterious style. Only the two poems "Autumn Water" and "Supreme Joy" were not completed when Xiu died. When Xiuzi was young, Yi died, but there is still another copy. Guo Xiang was a man of mean conduct but with great talent. Seeing that Hideyoshi's work was not passed down to the world, I secretly took it as my own. He added his own annotations to the two chapters "Autumn Water" and "Supreme Joy", and changed the chapter "Horse's Hoof". As for the rest of the chapters, he only added some fixed sentences. Later, Xiu Yi wrote a different version, so now there are two Zhuangs, Xiang and Guo, but the meaning is the same.
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