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When Huan Xuanwu died, Huan Nanjun was five years old and the mourning period had just ended. Huan's chariot and cavalry went to see off his former civil and military officials. He pointed to Nanjun and said, "These are all your family's former officials." Xuan responded by weeping loudly, and those around him were moved. The charioteer always looked at his own seat and said, "When Lingbao has grown up, this seat should be returned to him." He loved Ju more than his own son.

The Legend of Nine Heavens Magic Stone

When Duke Huan of the Han Dynasty was on his northern expedition and passed through Jincheng, he saw the willows he had planted when he was in Langya, all of which were ten feet in circumference. He sighed and said, "If trees are like this, how can people bear it!" He climbed up the branches and held onto the twigs, tears streaming down his face.

The Strongest Immortal in the City

Kong Pushe was the attendant of Emperor Xiaowu, and was invited to visit Emperor Liezong's tomb in advance. Kong was the Minister of Rites at the time. He was thin and frail, and wore heavy mourning clothes. He cried all day long, and those who saw him thought he was a truly filial son.

Xiao Xiao Sheng Ge

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All the learning of the crown prince and the scholars must be in season. In spring and summer, they learn to play the sword and spear, and in autumn and winter, they learn to play the feather and flute, all in the East Sequence. The minor music director learns the sword and spear, and the big official assists him. The flute master learns the spear and the flute master assistant assists him. The official plays the drum in the south. In spring, he recites and in summer, the master orders him. In autumn, Gu Zong learns the ritual, and the person in charge of the ritual orders him; in winter, he reads and the person in charge of the book orders him. The ritual is in Gu Zong, and the book is in Shangxiang. All the rituals of sacrifice, caring for the elderly, asking for words, and talking together are ordered by the minor music director in the East Sequence. The big music director learns to dance the sword and spear, speak, and ask for words, all of which are taught by the big music director, and the big official discusses and discusses in the East Sequence.

There's a ghost on my farm

When hearing about the death, one cannot go to the funeral, so he cries to the utmost; when asked why, he cries to the utmost again. Then he takes his seat, ties his hair and exposes his clothes, dances, and wears a sash and a belt to take his seat, bows to the guest and returns to his seat, dances. When the guest leaves, the host bows and sees him off outside the door, and returns to his seat; if there are guests who arrive later, he bows to them and dances, and sees them off as before. When he cries again, he ties his hair and exposes his clothes, dances. When he cries for the third time, he ties his hair and exposes his clothes again and dances. After three days, he is in mourning. After the fifth time, he bows to the guest and sees him off as before. If he returns after the funeral, When the host goes to the tomb, he cries and dances, pulls his hair to the east and exposes his mourning clothes, bows to the guests and dances, sends the guests back to their seats, cries and mourns until he has finished his work, then removes his clothes, and does not cry at home. The host does not change his clothes when treating the host, cries with him, and does not dance. From the age of mourning below, the difference is that he does not wear mourning clothes.