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Women's gifts include hazelnuts, dried fruits, dates, and chestnuts.
The so-called self-cultivation is to regulate one's family. One should avoid what one loves, avoid what one despises, avoid what one fears, avoid what one pities, and avoid what one is lazy about. Therefore, there are few people in the world who know the evil of what one likes and the beauty of what one hates. Therefore, there is a proverb: "No one knows the evil of his son, and no one knows the greatness of his seedling. "This means that if you do not cultivate yourself, you cannot manage your family.
Liu Zun's ancestors were known to Yin Zhongjun when they were young and were referred to by Yu Gong. Yu Gong was very pleased and appointed him as his assistant. After seeing him, I sat on the couch and talked with him.
Huan Xuanwu was born into a poor family. He lost a lot in a game of chess. His creditors demanded a lot of money from him. He wanted to find a way to get back on his feet, but he didn't know where to start. Yuan Dan of Chen County was handsome and versatile. Xuanwu wanted to ask for help from Dan, but Dan was in a difficult situation at the time and he was afraid that he would be suspected, so he tried to tell him. He agreed immediately without any regret. So he changed his clothes, put on a cloth hat and followed Wen, playing with his creditor. Tan had always been famous for his fine art, so the creditor came to the chessboard and said, "Why don't you do something like Yuan Yandao?" Then they started to play together. A throw of one hundred thousand can easily add up to millions. He threw his horse aside and shouted, as if no one was around. He raised his cloth cap and threw it to the man and said, "Do you know Yuan Yandao?"
Emperor Ming of Wei asked his younger brother Mao Zeng to sit with Xiahou Xuan, and people at that time said it was "reeds leaning against jade trees."
When a person dies, he should not be idle for three days, and he should not be relieved for three months. He should be sad for three years, and he should be worried for three years - this is the killing of grace. The sage uses killing to control moderation, and this is why mourning lasts for three years. The wise should not go beyond the limit, and the unworthy should not fail to reach the limit. This is the mean of mourning, and it is what the king always does. The Book of Documents says: "Emperor Gaozong was lenient and did not speak for three years." This is good; all kings should follow this ritual. Why is it good for him alone? It is said: Emperor Gaozong was Wu Ding; Wu Ding was a wise king of the Yin Dynasty. He succeeded the throne and was kind and good at mourning. At this time, the Yin Dynasty declined and revived, and rituals were abolished and revived, so he did it well. Because it was good, it was recorded in the book and praised, so he was called Emperor Gaozong. During the three-year mourning, the king did not speak. The Book of Documents says: "Emperor Gaozong was lenient and did not speak for three years." This is what it means. However, those who say "speaking without culture" refer to the ministers.
Family mourners do not worry about where to live, and ruins do not endanger their bodies. Famished people do not worry about where to live, because there is no temple; ruins do not endanger their bodies, because there is no offspring.
Wang Zhonglang loved Zhang Tianxi very much and asked him, "You have seen the paths and tracks of the people who crossed the Yangtze River. What is so great about the tracks on the left side of the Yangtze River? How are the later talents compared with the Central Plains?" Zhang said, "Since Wang and He, we have studied the profound and profound things. We have made changes according to the times, following the style of Xun and Yue." Wang said, "You have more knowledge and insights, why did you let Fu Jian control you?" He replied, "The yang disappears and the yin rests, so the steps of the sky are slow; the negative and positive are stripped away to form an image, so why should we criticize you too much?"
When Yu Zisong finished writing a fu, his follower Wenkang saw it and asked, "If there is intention, then it is not the end of fu; if there is no intention, then what is there to write about?" He replied, "It is somewhere between intention and no intention."
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