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When Xu Ruzi was nine years old, he once played under the moon. Someone said to him, "If there is nothing in the moon, it will be extremely bright, right?" Xu said, "No, it's like the pupil in a person's eye. Without it, it would be very bright."
Liu Yin stroked the chief secretary's back and said, "Anu is better than the prime minister, but he is taller than the chief minister."
When Wang Fusi was still young, he went to see Pei Hui. Pei Hui asked him, "Nothingness is the source of all things, but sages are unwilling to talk about it. But Laozi keeps talking about it. Why is that?" Bi said, "Sages embody nothingness, and nothingness cannot be taught. So when they talk about something, they must also talk about something. Laozi and Zhuangzi were not immune to something, and they always taught about what was lacking."
Eat for three days, bathe for three months, and practice after a period of time, so that destruction does not destroy nature, and death does not hurt life. Mourning does not exceed three years, and mourning clothes do not repair, and graves are not built; on auspicious days, white harps are played to inform the people of the end; this is a rule of moderation. From serving the father to serving the mother, and love the same. There is no two suns in the sky, no two kings on earth, no two rulers in a country, no two masters in a family, and they are all governed by one. Therefore, when the father is alive, the mother should mourn for the same period of mourning, which shows that there is no two masters.
Therefore, the ruler of Lu, in the first month of spring, rides on a large road, carrying a bow and a shawl; the flag has twelve tassels, the pattern of the sun and the moon; he offers sacrifice to the emperor in the suburbs, and is paired with Houji. This is the ritual of the emperor. In the sixth month of the last month of summer, he offers sacrifice to Zhou Gong in the Grand Temple with a sacrifice ceremony, using a white roe as the sacrificial animal; using a sacrificial urn like a sacrificial xiangshan lei; using a yellow-eyed urn; using a jade jar and a large gui as the pouring pot; using a jade bean carved with a bamboo basket; using a jade jar, also carved, with a bi and a bi corner; using a zhu zi as the sacrificial offering; singing "Qingmiao" as the rising song, and playing "Xiang" as the lower song; wearing a red stem and jade qi, and dancing "Dawu" with a crown; wearing a leather hat and a white pile, and dancing "Daxia" with a sash. "Mei" is the music of the Eastern Yi; "Ren" is the music of the Southern Man. Accepting the music of the Yi and Man in the Grand Temple means expanding Lu's influence over the world.
Pei Linggong looked at Xiahou Taichu: "He was solemn and awe-inspiring, like entering a temple. He did not practice respect but people showed respect to him." Yi said: "It was like entering an ancestral temple, where one could hear the sounds of ritual instruments. Seeing Zhong Shiji was like looking into an armory, where one could see spears and halberds. Seeing Fu Lanshuo was like looking at the Jiang Palace. Seeing a huge source on a mountain was like climbing a mountain and looking down, where it was deep and secluded."
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