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Wang Ziyou lived in Shanyin. It snowed heavily at night. He woke up, opened the room, and ordered wine to be poured. The sky was bright all around, so I stood up and imitated the poet, reciting Zuo Si's poem to invite hermits. Suddenly I remembered Dai Andao, who was in Shan at that time, so I took a small boat to visit him at night. After walking a night, he finally arrived, but he opened the door without going forward and turned back. When asked why, the king said, "I went out for fun and returned when the fun wore off. Why should I see Dai?"
Yin Jingzhou had some knowledge and wrote a fu, which was similar to Shu Xi's slow play. Yin thought he was talented and said to Wang Gong, "I just saw a new article, it's very interesting." He then took it out of the handkerchief box. When the king read it, Yin couldn't help laughing. After the king had looked at it, he neither laughed nor expressed his likes or dislikes. He just pasted it with his wish. Yin felt lost.
When Pei Lang wrote "Yu Lin" (Words in the Forest), it was widely known far and wide when it first came out. At that time, young people all copied it and each had one. It is recorded that Wang Dongting wrote a poem "Presented to the King's Drunken Master" which was very talented and sentimental.
Wang Sizhou went to Yinzhu in Wuxing to have a look. He sighed and said, "Not only does it make people feel more open and clean, but it also makes the sun and the moon seem clearer and brighter."
Confucian scholars live in a difficult place, sit up and stand respectfully, speak first and be honest, and act uprightly. They do not compete for the benefits of danger and ease on the road, and do not compete for the harmony of yin and yang in winter and summer. They love death and wait for it, and nourish their bodies and do things. They are like this in their preparation.
Wang Ziyou and Zijing were once sitting in the same room when the emperor suddenly got angry. Ziyou quickly ran away, without panicking to get his sandals; Zijing looked calm, slowly called his attendants, and walked out with help, just like usual. The world uses this to determine the shrines of the two kings.
The great temple is the emperor's Mingtang. The storehouse gate is the emperor's Gaomen. The pheasant gate is the emperor's Yingmen. The sound of the wooden bell in the court is the emperor's policy. The mountain knots and the embroidery, the double eaves of the temple, the scraping of the pillars to reach the countryside, the reverse altar out of the vulture, the high altar Kanggui, and the sparse screens are the emperor's temple decorations.
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